CLOSER THAN EVER
Saturday, August 8th, 2009
Ten talented Asian-American performers sing about “life, love, and all the doors in between” in Lodestone Theatre Ensemble’s next-to-very-last production, an ingeniously-staged, brightly-performed revival of Richard Maltby, Jr. and David Shire’s musical revue Closer Than Ever.
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LIFE COULD BE A DREAM
Friday, August 7th, 2009
Looking for a great evening of musical nostalgia, romance, and laughter? Then travel back in time to the days of “Doo-Wop” in Roger Bean’s sure-to-be-a-smash new musical Life Could Be A Dream, just opened at the Hudson Mainstage Theatre.
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SAY GOODBYE, TOTO
Thursday, August 6th, 2009
Dorothy, Toto, Scarecrow, Tin Man, Lion, the Munchkins, and the Wizard himself are back—in Amy Heidish’s charming, delightful, and surprisingly original Say Goodbye, Toto, a Wizard Of Oz not just for the kiddies.
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THE FIRST WIVES CLUB
Sunday, August 2nd, 2009
Take a hit movie about a trio of 40something wives getting even with husbands who’ve abandoned them for younger women, add songs written by a trio who can truly be called legendary, cast the show with some of Broadway’s finest performers—and you have The First Wives Club, a thoroughly entertaining new musical now in its pre-Broadway run at San Diego’s Old Globe Theatre, under the brisk direction of Francesca Zambello.
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FOOTLOOSE
Thursday, July 30th, 2009
Ever hear of Bomont, the town where it’s illegal to dance? Well, if you’re a movie buff, you certainly have. That’s the town where Kevin Bacon and his mom moved in 1984’s Footloose, much to Kevin’s dismay. The movie introduced a heap of 80s hits, including the title song, “Let’s Hear It For the Boy,” “Almost Paradise,” “Holding Out For A Hero,” “I’m Free,” “Somebody’s Eyes,” and “The Girl Gets Around.” Fourteen years later Footloose made it to Broadway, as a full-fledged musical this time, with most of the movie hits integrated into its story line and a bunch of new Tom Snow creations added. The resulting production ran for over 700 performances, and though it’s reputed to be a favorite high school musical, I can’t recall a major L.A. production.
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BEGGARS IN THE HOUSE OF PLENTY
Wednesday, July 29th, 2009
What a difference a director and cast can make!
When I saw a production of John Patrick Shanley’s Beggars In The House Of Plenty about four years ago, I found myself squirming in my seat waiting for it to end. I couldn’t make head nor tail of what was going on as the play got more and more bizarre and heavy-handed. My guest and I looked at each other when the lights went back up and said almost simultaneously, “Now what was that about?” Arriving home, I did some googling and saw that at least one reviewer had raved about the production, leading me to wonder what she had seen in it that my friend and I had not.
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FIDDLER ON THE ROOF
Thursday, July 23rd, 2009
The prolonged ovation which greets Topol’s first entrance in Fiddler On The Roof confirms that this Farewell Tour, starring the man whose name has become synonymous with that of its lead character, is an event of the first order. As Tevye, the milkman of Anatevka, Chaim Topol gives a brilliant performance in an absolutely superb revival of the 1964 Broadway classic. That the production which surrounds him is of Broadway caliber elevates this Fiddler to must-see status.
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THE BEST IS YET TO COME: THE MUSIC OF CY COLEMAN
Sunday, July 19th, 2009
City Of Angels, Sweet Charity, Little Me, Seesaw, On The Twentieth Century, I Love My Wife, The Will Rogers Follies, Barnam.
“Big Spender,” “It’s Not Where You Start,” “There’s Gotta Be Something Better” “Hey, Look Me Over,” Witchcraft,” “The Best Is Yet To Come.”
What do these Broadway shows and hit songs have in common? The answer in two words is Cy Coleman, composer, songwriter, and jazz pianist extraordinaire.
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