THEY’RE PLAYING OUR SONG


Two years after Neil Simon’s semi-autobiographical Chapter Two chronicled the widowed playwright’s second-chanceat-happiness marriage to Marsha Mason, his They’re Playing Our Song brought to the Broadway stage a fictionalized version of another real-life romance, that of songwriting partners Marvin Hamlisch and Carole Bayer Sager, this time told as a musical comedy featuring a dozen original songs by the selfsame team.
(read more)

THE BUTCHER OF BARABOO


The Coen Brothers meet Beth Henley in Marisa Wegrzyn’s The Butcher Of Baraboo, a quirky bit of Fargo crossed with Crimes Of The Heart, now getting its Los Angeles premiere at North Hollywood’s The Road Theater Company.
(read more)

PETER PAN


No matter how many Peter Pans you’ve seen, you’ve never seen a Peter Pan nearly as thrilling as threesixty’s Peter Pan. Its producers tout the production’s “500 tons of tent and equipment, 100 cast and crew, and 400 square miles of computer generated imagery on a screen the size of 3 IMAX theaters.” Previous reviewers have called it “spectacular,” “thrilling,” “breathtaking,” “joyous,” “mesmerizing,” and “magical.” It’s all of this, and laugh-out-loud funny to boot.
(read more)

THE ELEPHANT MAN


When most people hear the title The Elephant Man, they likely recall David Lynch’s 1980 film, which received 8 Academy Award nominations, including one for John Hurt’s unforgettable leading performance. 
(read more)

IN THE NEXT ROOM (or the vibrator play)


It’s the late 1800s and Sabrina Daldry is exhibiting symptoms that concern her considerably older husband. Light has been bothering Sabrina lately, and she cries at the drop of her heavily veiled hat. A consultation with a certain Dr. Givings reveals the cause of her ailments: hysteria. (A contemporary doctor would probably diagnose her condition as depression resulting from sexual frustration.) Fortunately, Dr. Givings has just the treatment to cure Sabrina of her ills, a device made possible by the recent arrival of electric current into New York’s wealthier homes. A two or three-minute application of this vibrating apparatus to Sabrina’s private parts, plus a bit of digital stimulation administered by the doctor’s faithful nurse Annie, provides an almost instantaneous improvement in Sabrina’s mental state (along with a number of moans and gasps of pleasure), and she eagerly agrees to return for daily treatments.
(read more)

THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE


Since discovering USC’s Musical Theatre Repertory nearly three years ago with their sensational intimate staging of Sunday In The Park With George, I’ve tried never to miss an MTR production. Unlike USC mainstage productions, MTR shows are entirely student produced, directed, designed, and performed, thereby providing sneak previews of future Broadway/regional theater on-and-offstage talents. With veteran MTR members graduating each June and moving on to professional careers, every new school year introduces a fresh batch of Trojan theater majors every bit as talented as their predecessors, something MTR’s current production of William Finn’s The 25th Annual Putnam County Spelling Bee makes perfectly clear.
(read more)

NO, NO, NANETTE


“Tea For Two” and “I Want To Be Happy,” two of the biggest hits of the 1920s, made their Broadway debut eighty-five years ago in No, No, Nanette, a show that won a grand total of four big Tony Awards—not in its original Broadway engagement but forty-six years later in a revival that ran almost three times longer than the original. For this reason alone, No, No, Nanette is worthy of attention, even in 2010, and 21st Century theatergoers now have the chance to discover this little bit of Broadway nostalgia at the Downey Civic Light Opera.
(read more)

TAKE ME OUT


Baseball superstar Darren Lemming of the New York Empires would seem to have it made. Blessed with a physical beauty and athletic prowess most can only dream of, the biracial outfielder’s Golden Boy status has kept him above whatever bigotry a lesser man might likely have encountered in major league sports. So certain, in fact, is Darren of being above it all that when he comes out publicly as gay, he expects few if any repercussions from the announcement. Yes, other baseball players might suffer from the homophobia rampant in professional athletics, but not Darren Lemming—that is until pitcher Shane Mungitt arrives to rescue Darren’s loss-plagued team and all hell breaks loose.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »