MYSTERIOUS SKIN


Mysterious Skin, Scott Heim’s powerful 1995 novel about two teenagers with a shared secret almost too horrendous to talk about, is the kind of book that would seem unadaptable to screen or stage, if only for its scenes of child sexual abuse. Still, miracle of miracles, Mysterious Skin The Movie and Mysterious Skin The Play did end up written, produced, and presented to audience bravos, the former by film maker Gregg Araki and the latter by playwright Prince Gomolvilas. It’s Gomolvilas’ ingenious stage adaptation that now gets an absolutely stunning Los Angeles Premiere at Little Tokyo’s East West Players in a production easily the Asian-American theater’s finest non-musical since Durango, three years ago.
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YOUNG FRANKENSTEIN


When the very first Broadway musical for which you write book, music, and lyrics wins a record-breaking twelve Tony awards and runs for over 2500 performances, what do you do for an encore?

If you’re Mel Brooks, your follow-up to The Producers is Young Frankenstein, and though the comic master’s sophomore musical ran less than 500 performances, it’s nonetheless a tuneful, laugh-filled treat for Brooks fans and horror buffs alike.
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MISS SAIGON


One of Broadway’s biggest smash hits of the 1990s, Miss Saigon, now lights up the nights at the San Diego-adjacent Moonlight Amphitheatre with its blend of war, romance, gorgeous melodies, and show-stopping production numbers. In a production directed with sensitivity and dazzle by Steven Glaudini and starring Jennifer Paz in the role which won her the 2008 Ovation Award as Best Actress In A Musical, Miss Saigon provides Broadway pizzazz and operatic passion in equal measure.
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BECKY’S NEW CAR


“When a woman says she wants new shoes, what she really wants is a new job. When she says she wants a new house, what she really wants is a new husband. And when she says she wants a new car, what she really wants is a new life.”

Imparting these words of wisdom is Rebecca (Becky) Foster, middle-aged wife and mother and the title character of Steven Dietz’s Becky’s New Car, now delighting San Diego audiences in an absolutely terrific production at Solana Beach’s North Coast Repertory.
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NEIGHBORS


How would you feel if your worst nightmare—the family from hell—moved into the house next door to yours? This is precisely the dilemma faced by African American adjunct college professor Richard Patterson when the Crows take possession of the suburban tract home across the street from his in Neighbors, Branden Jacobs-Jenkins’ provocative though imperfect new comedy-drama now playing at the Matrix Theatre.
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UNDER MILK WOOD


Most theater majors graduating from college and beginning their professional careers end up relying on the kindness of strangers (i.e. producers, directors, and casting directors) to get themselves cast in a play, TV show, commercial, or movie. Then there are the talented Cal State Fullerton grads who have taken matters into their own hands by forming Coeurage Theatre Company.
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THE BEDROOM WINDOW


REVIEW UPDATE:
There’s a reason why Broadway musicals have out-of-town tryouts and weeks of previews before opening to the New York press. Creating a new musical requires the kind of tweaking that only performances in front of live audiences can suggest. Scenes may need to be cut or rewritten, old songs may have to make way for new ones, and cast changes may need to be made. 
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TITUS REDUX


John Farmanesh-Bocca’s Titus Redux is William Shakespeare’s Titus Andronicus like you’ve never seen it before.  Yes, there’s still rape, mutilation, and two boys cooked in a pie, and much of Shakespeare’s original dialog remains intact. Still, from the moment Tamora responds to Titus’s “I give him you, the noblest that survives, the eldest son of this distressed queen,” with a very contemporary “Fuck you! You stubborn pigheaded asshole,” you know you’re in for something different.
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