AN AMERICAN IN PARIS
Wednesday, April 26th, 2017
There’s been more than one “new (i.e. jukebox) Gershwin musical” before An American In Paris’s 2015 Broadway debut, but there’s never been one as gloriously song-and-dance-packed (emphasis on dance) as the gorgeously choreographed and designed quadruple Tony winner, a veritable feast of color and light and ballet and tap and more.
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A DOLL’S HOUSE, PART 2
Tuesday, April 25th, 2017
Nora’s come back to the “doll’s house” she once called home, though how long she’ll stay is anybody’s guess in Lucas Hnath’s audacious, scabrous, wordy, discussion-prompting, and often surprisingly droll sequel to the Henrik Ibsen classic, the South Coast Repertory World Premiere of A Doll’s House, Part 2.
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ANDREW LIPPA’S WILD PARTY
Monday, April 24th, 2017
Dramatically dark and daringly sexual, Andrew Lippa’s Wild Party, the latest from Cal State Fullerton, showcases not just its multitalented ensemble headed by a phenomenal Hannah Clair as blonde bombshell Queenie. CSUF’s Wild Party is direction, choreography, and design at their SoCal pro-level best.
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WEST SIDE STORY
Sunday, April 23rd, 2017
It takes brilliance and balls to pull off the reinvention of a musical theater classic, particularly one as renowned for its iconic choreography as for its book, music, and lyrics, but this is precisely what director Richard Israel and choreographer John Todd have accomplished in the brilliant, ballsy West Side Story they have mounted for The La Mirada Theatre and McCoy Rigby Entertainment.
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SISTER ACT
Saturday, April 22nd, 2017
A triumphant Daebreon Poiema and a sublime Debbie Prutsman head a terrifically talented, bigger-than-Broadway cast of nearly three-dozen in Cabrillo Music Theatre’s Sister Act, as tuneful and crowd-pleasing a musical comedy treat as I’ve seen up Ventura County ways in many a moon.
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BERNARDA ALBA
Friday, April 21st, 2017
Michael John LaChiusa’s Bernarda Alba, the multiple-Tony-nominated composer-lyricist’s darkly dramatic adaptation of the Federico García Lorca classic, not only provides its all-female, mostly Cal State Fullerton student cast with an equal-parts challenging/rewarding showcase for their considerable musical theater gifts, it offers Southland audiences the opportunity to see a rarely-produced chamber gem in a production so stunning, it rivals the finest intimately-staged musicals in town.
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LITTLE WOMEN THE BROADWAY MUSICAL
Thursday, April 20th, 2017
The four March sisters have taken up brief midweek residence at Candlelight Pavilion as Inland Valley Repertory Theatre presents Little Women The Broadway Musical, a big-stage revival that merits cheers for its terrific young cast, live orchestra, and above all Jaclyn Kelly Shaw’s radiant star turn as Jo.
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FAILURE: A LOVE STORY
Monday, April 17th, 2017
Center Theatre Group opens Block Party, its three-play salute to the best of Los Angeles intimate theater, with an exquisitely expanded Kirk Douglas Theatre staging of Coeurage Theatre Company’s multiple-award-winning Failure: A Love Story, Philip Dawkins’ whimsical meditation on the fragility of life and the resiliency of those who live it.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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