FARRAGUT NORTH

Farragut North, Beau Willimon’s riveting look at the behind-the-scenes maneuverings and back-stabbings of a Presidential primary campaign, a Geffen Playhouse hit just months after the first Obama win, now gets a solid Odyssey Theatre guest production with a far different man in the White House.
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THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE

A disowned playwright embarks on a quest to uncover his dysfunctional family’s long-buried truths in Dan O’Brien’s powerful, poetic autobiographical memory play The House In Scarsdale: A Memoir For The Stage, now being given a superbly acted, directed, and designed World Premiere Production at The Theatre @ Boston Court.
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HELLO AGAIN

Sex × 10 + book, music, & lyrics by Michael John LaChiusa’s = Hello Again, LaChiusa’s edgy, seductive, unapologetically unhummable chamber musical adaptation of Arthur Schnitzler’s 1897 classic La Ronde, the stellarly cast, terrifically performed, audience-challenging latest from Chromolume Theatre.
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OF MICE AND MEN

Spencer Cantrell and Gregory Crafts give riveting performances as migrant farm workers George and Lenny in Theatre Unleashed’s intimate revival of John Steinbeck’s classic tale of human loneliness and impossible dreams, the 20th-century classic Of Mice And Men.
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MIDDLETOWN

Birth. Life. Death. Infinity. Playwright Will Eno addresses all of the above in Middletown, his 21st-century response to Thornton Wilder’s Our Town, and if the Pulitzer Prize finalist tends to take quirkiness to extremes, inspired direction, design, and performances make this Chance Theater Southern California Premiere well worth a trip to Anaheim Hills.
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SYLVIA

There’s never been a romantic triangle quite like the one that propels A.R. Gurney’s Sylvia, now getting a cheer-worthy Rubicon Theater revival with an irresistible Ashley Fox Linton as the canine homewrecker who gives this alternately hilarious and heartstrings-tugging romcom its name.
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THE MUSIC MAN

Palos Verdes Performing Arts scores a musical comedy bulls-eye with their big-stage, up-close-and-personal revival of Meredith Willson’s 1957 classic The Music Man, the all-around best of the half-dozen Music Men I’ve seen so far.
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UNCANNY VALLEY

Hot topics don’t get much hotter than artificial intelligence, whether in headline news, or movies like Ex Machina, or Jimmy Fallon interviewing “Robot Sophia” on late-night TV, or in Thomas Gibbons’ fascinating, discussion-prompting, edge-of-your seat two-hander Uncanny Valley, now getting its Los Angeles Premiere at Long Beach’s International City Theatre.
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