A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

There’s a new kid on the Garry Marshall Theatre block from now through December 10 as stage-screen-recording star Joey McIntyre takes on the lead in the Marshall’s deliciously entertaining, ingeniously streamlined staging of the farcical delight that is A Funny Thing Happened On The Way To The Forum.
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SOMETHING ROTTEN!

Something may have been rotten in the state of Denmark back when The Bard ruled London, but there’s nothing at all rotten going on at the Ahmanson Theatre as Center Theatre Group welcomes the Broadway National Tour of 2015 Best Musical Tony nominee Something Rotten!, a musical theater buff’s dream come true and just as much fun for those who couldn’t put a last name to Chita, Patti, or Bernadette if their lives depended on it.
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ROTTERDAM

Imagine that your husband, wife, boyfriend, or girlfriend suddenly announced that they were no longer the person you believed them to be, could you still remain coupled, or would this be a deal-breaker? It is precisely this question that lies at the heart of Jon Brittain’s Olivier Award-winning Rotterdam, now getting a riveting, thrillingly staged West Coast Premiere at Skylight Theatre on Vermont.
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ONCE UPON A MATTRESS

A book and lyrics every bit as captivating in 2017 as they were when Broadway audiences first discovered them back in 1959. Tunes that make it clear that Richard was not the only Rodgers with a gift for infectious melody. A director/choreographer and cast more than up to the task of bringing said book, music, and lyrics to crowd-pleasing life. Mix all of the above and you’ve got Musical Theatre West’s one-performance-only concert staged reading of Once Upon A Mattress, one of MTW’s Reiner Reading Series’ very best.
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THE WILD PARTY

Musicals don’t get much wilder, nor university productions much finer than the USC School Of Dramatic Arts’ sensational staging of Andrew Lippa’s The Wild Party, concluding its sold-out five-performance run this afternoon at USC’s intimate McClintock Theatre.
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KING CHARLES III

William Shakespeare is dead. Long live Mike Bartlett, author of Charles III, a “future history” The Bard himself might have written had he been looking back, not at Kings crowned Richard or Henry but at a 21-century monarch facing the crisis of his or any sovereign’s reign. Now getting a spectacular Southern California Premiere at a newly revitalized Pasadena Playhouse, King Charles III is the best play William Shakespeare never wrote.
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SPAMILTON: AN AMERICAN PARODY

Imagine you’ve spent the past three-and-a-half decades spoofing New York’s buzz-worthiest musicals but this year there’s one megasmash that dwarfs the competition like no musical ever has before. If you’re Gerard Alessandrini, you write Forbidden Broadway 2017 and call it Spamilton, eighty minutes of Broadway satire at its funniest, cleverest, and most tuneful now getting its West Coast Premiere at the Kirk Douglas Theatre.
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THE MAN WHO CAME TO DINNER

Radio superstar Sheridan Whiteside is at it again, terrorizing the Ohio Stanleys, fomenting family rebellions, and scheming to get his own egomaniacal way in Actors Co-op’s pitch-perfect revival of the 1939 George S. Kaufman and Moss Hart screwball classic The Man Who Came To Dinner.
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