A VERY DIE HARD CHRISTMAS

A Very Die Hard Christmas, Josh Carson’s hit musical spoof of a certain Bruce Willis holiday classic, is back for 2017, sharper, funnier, and more outrageous than ever, and just what Santa ordered for those who like their year-end festivities to be naughty rather than nice.
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reasons to be pretty

Neil LaBute dissects male-female relationships as only he can—savagely, but not without humor and maybe even a sliver of hope—in reasons to be pretty, his 2008 button-pusher now being given a dynamically directed, sensationally acted intimate revival at Hollywood’s Lounge Theatre.
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ORPHANS

Rising star Leo B. Ramsey burns up the stage opposite gifted teen newcomer Breaker Novogratz and dynamic stage-and-screen vet Ray Abruzzo in Lyle Kessler’s powerful three-hander Orphans, now thrilling and devastating audiences in equal measure at Hollywood’s Lounge Theatre.
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THE HEART OF ROBIN HOOD

If you think (or hope) you’ve seen the last of Robin Hood, think again. The Heart Of Robin Hood has arrived at the Wallis, and any lover of theatrical magic and thrills who skips this Robin because they’ve already seen Errol or Kevin or Russell bring Mr. Hood to the silver screen should suffer one of evil Prince John’s unspeakable punishments, or at the very least a good tongue-lashing. Trust me. You’ve never seen Robin Hood (or any on-stage adventure story) quite like this theatrical dazzler.
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BAREFOOT IN THE PARK

Inspired direction and a pitch-perfect cast make barebones blackbox magic this week only at Silver Lake’s Lyric Hyperion Theatre in the 1963 Neil Simon romcom classic Barefoot In The Park.
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bled for the household truth

If a tightly-wound New York male and a free-spirited Manchester female sharing NYC digs sounds like the latest take on Neil Simon’s The Odd Couple, think again. Ruth Fowler’s bled for the household truth may have an uncomfortable laugh every now and then, but what the Welsh playwright has up her twisted sleeve in this Rogue Machine World Premiere proves the darkest, most disturbing, and quite possibly the most compelling play in town.
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deLEARious

deLEARious, Phil Swann and Ron West’s deliciously clever, delightfully tuneful musical within a musical within a musical is back for a 9th-anniversary Open Fist Theatre Company revival guaranteed to tickle musical theater buffs and Shakespeare aficionados alike.
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DRIVING MISS DAISY

A revelatory Donna Mills lights up the Colony Theatre stage as the title character in Driving Miss Daisy, Alfred Uhry’s Pulitzer Prize-winning look back in time at an aging Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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