THE RED SUITCASE


Growing up gay in the Deep South is no picnic for the protagonist of Jiggs Burgess’s laugh-out-loud funny, get-out-the-Kleenex moving The Red Suitcase, a P3 Theatre Company World Premiere at the Broadwater Mainstage.
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CRABS IN A BUCKET


If Eugene Ionesco or Samuel Beckett were writing plays today, they might well have come up with something very much like Bernardo Cubría’s tangy absurdist comedy, Crabs In A Bucket, now getting its World Premiere at Echo Theater Company.
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GROUP THERAPY


A therapist’s waiting room provides No Exit for two impatient patients—and the sudden arrival of a third individual makes things a whole lot dicier—in Group Therapy, Peter Lefcourt’s latest World Premiere gem, a guest production at North Hollywood’s spiffily refurbished Theatre 68 Arts Complex.
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THE ANTS

Ramiz Monsef’s horror play The Ants, now getting its World Premiere at the Geffen, has a gripping, suspenseful midsection. Its bizarre opening sequence and its even weirder, seemingly endless final scene are another matter.
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ACCOMMODATION


A veteran high school teacher, a concerned parent, and a school administrator caught between them square off on how best to educate a 9th-grader with ADHD in Greg Burdick’s gripping, talk-provoking Accommodation, now being given a playwright’s dream of a World Premiere production at the Odyssey.
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BACK PORCH


Playwright Eric Anderson pays affectionate tribute to William Inge in Back Porch, the play Inge might himself have written had mid-20th-century Middle America not kept the gay Kansan locked tightly in the closet.
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A TRANSPARENT MUSICAL

Center Theatre Group celebrates diversity just in time for Pride Month with A Transparent Musical, an exhilarating but overlong adaptation of the hit TV series Transparent.
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NO PLACE LIKE GANDERSHEIM

A terrific cast score plenty of laughs in No Place Like Gandersheim, Elizabeth Dement’s time-traveling screwball feminist farce, but the Skylight Theatre World Premiere tries too hard to do too much for it to work the way it should.
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