ONE IN THE CHAMBER

Playwright Marja-Lewis Ryan focuses an up-close-and-personal lens on the epidemic of gun violence plaguing our country in her World Premiere drama One In The Chamber, one of the most powerful new plays I’ve seen in a good long while, and as superbly acted a production as any writer/director could possibly wish for.
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THE MAX FACTOR FACTOR

Secretly gay 1930s film star Lance Grant falls head-over-heels for the equally famous—and equally closeted—Hoyt Baxter in Adrian Bewley, Joe Blodgett, and Chana Wise’s delightful new musical The Max Factor Factor, a fortuitous first collaboration between New Musicals Inc. and Celebration Theatre.
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FAMILY PLANNING

RECOMMENDED

Burbank’s Colony Theatre opens its 40th Season with Michelle Kholos Brooks’ entertaining if overly familiar Family Planning, and while the World Premiere comedy’s couple of battling 70something ex-spouses will likely appeal to the Colony’s post-retirement-age regulars, particularly as brought to life by TV’s venerable Bruce Weitz and Christina Pickles, the coming year’s bolder later selections appear more apt to revitalize the Colony’s aging subscriber base than its Season 40 opener.
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FLIM FLAM: HOUDINI AND THE HEREAFTER

“Spiritualism” may not be the first word to spring to mind when master illusionist/escape artist Harry Houdini and Sherlock Holmes/Dr. Watson-creator Sir Arthur Conan Doyle are mentioned, but it is precisely this fascinating but lesser-known aspect of the two men’s lives on which playwright Gene Franklin Smith has based his World Premiere drama Flim Flam: Houdini And The Hereafter, now entertaining and elucidating audiences at Malibu Playhouse.
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THE CURSE OF OEDIPUS

Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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LAND LINE

“When a health crisis forces Terry to move back into his parents’ basement, his best friend John supports him with laughter, sympathy, bravado, and finally, honesty.”

Rarely has a press release taken such pains to be detail/spoiler-free, so in the interest of honoring Ensemble Studio Theatre/LA’s wishes, let me simply say: If you’re in the mood for a beautifully written, exquisitely acted, and often quite funny tearjerker, make plans to see Stephen Dierkes’ World Premiere dramedy Land Line—and should eye makeup be your thing, be sure your mascara is waterproof.
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DOG AND PONY

RECOMMENDED

A trio of utterly fabulous Broadway leading ladies led by the magical Nicole Parker are reason enough to catch The Old Globe’s latest World Premiere musical, Dog And Pony, though the show itself, despite Roger Rees’ effervescent direction, still needs a good deal of work.
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THE COUNTRY HOUSE

Dinner With Friends. Shipwrecked! Collected Stories. Sight Unseen. Coney Island Christmas. And now comes Donald Margulies’ latest, The Country House, a captivating look at a contemporary American Royal Family of stage and screen, with stage-and-screen star Blythe Danner bringing her own brand of radiance to the Geffen Playhouse. Who could ask for anything more?
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