A Or B?

Sometimes the course a life takes can depend on something as inconsequential as a cell phone service provider, or so Abby and Ben discover in Ken Levine’s fascinating and funny romantic comedy A Or B?, now getting its World Premiere at the Falcon Theatre.
(read more)

LITTLE MAN

The much-dreaded, much-anticipated gathering we call the High School Reunion would seem such a surefire source of comedy, drama, and audience empathy that it comes as a surprise how few films and plays have centered on this once-in-a-decade event. Playwright Bekah Brunstetter helps fill this gap in her highly enjoyable World Premiere dramedy Little Man, the latest from The Los Angeles New Court Theatre.
(read more)

WICKED LIT 2014

The Mountain View Mausoleum And Cemetery is the undisputed star of Wicked Lit 2014, providing a venue so mysterious and spooky that it outweighs any objections one might have about the 5th-annual creepy, kooky trio of terr(or)ific one-acts’ more than three-hour-long running time.
(read more)

BRIGHT STAR

Some of the most gorgeous songs I’ve heard in a new musical plus a bevy of equally memorable performances bode well for the post-World Premiere future of Steve Martin and Edie Brickell’s Bright Star despite an “original story” so reminiscent of this or that 1930s/40s Hollywood weeper that audience members may find themselves convinced they’re watching the musical stage adaptation of an oldtime Barbara Stanwyck/Claudette Colbert flick. (Not that there’s anything wrong with that.)
(read more)

BETTER

When humorist Erma Bombeck wrote about “loving, laughing, defending, and trying to figure out the common thread that [binds] us all together,” the family she was referring to could easily have been the one to whose nest successful New York restaurateur Annie returns to face her father’s imminent death in Jessica Goldberg’s funny, perceptive, beautifully acted and directed new drama Better, the latest World Premiere from The Echo Theater Company.
(read more)

SCARY MUSICAL The Musical

RECOMMENDED

Stellar performances and a laugh-packed book are the best reasons to catch Richard Hochberg and Michael Paternosto’s SCARY MUSICAL The Musical. What’s still missing are the kind of catchy, hummable tunes that would take the creative duo’s deliciously campy send-up of Psycho, Carrie, Halloween, and other assorted scream-fests beyond its current NoHo Arts Center World Premiere run.
(read more)

BRONIES: THE MUSICAL

The charming musical-in-the-rough that was Bronies: The Musical at this past summer’s Hollywood Fringe Festival has since been polished into the sparklingly rainbow-hued gem now getting its official World Premiere Production at the Third Street Theatre. Simply put, Bronies: The Musical is the feel-best show in town.
(read more)

LOST: THE MUSICAL – WE HAVE TO GO BACK

RECOMMENDED*
*For Lostaways

Some snappy SNL-style writing and a cast of sixteen’s often sharp comedic chops could well make Lost: The Musical – We Have To Go Back a cult hit despite a currently way-overlong three-hour running time and quite a few not-ready-for-musical-theater voices.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »