BACKYARD

Some teenagers turn to sex. Others turn to drugs. Still others turn to rock ‘n’ roll. The teenagers in Mickey Birnbaum’s violent but exhilarating Backyard turn to wrestling, and so too do the adults in their lives.
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DORIAN’S DESCENT

NOT RECOMMENDED

A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
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DEATH OF THE AUTHOR

An accusation of plagiarism is but the opening shot in Death Of The Author, Steven Drukman’s academia-set World Premiere drama that unfolds like an edge-of-your-seat suspense-thriller from its “gotcha” hook to the unexpectedly satisfying way Drukman manages to tie the whole thing up some ninety minutes later.
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THE HYPOCHONDRIAC

RECOMMENDED

Moliere’s The Imaginary Invalid gets trimmed down from three acts to a fast-moving fifty-minutes as Zombie Joe’s Underground Theatre presents Roger K. Weiss’s The Hypochondriac, and thought results fall short of the brilliance of December’s A Christmas Carol, there are laughs aplenty to be had.
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UNORGANIZED CRIME

Oscar nominee Chazz Palminteri and Tony nominee Elizabeth Rodriguez bring their Hollywood/Broadway talent/star power to Kenny D’Aquila’s savagely funny goodfellas comedy Unorganized Crime, now getting its World Premiere at Hollywood’s Lillian Theatre under David Fofi’s razor-sharp direction.
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FIVE MILE LAKE

Some plays grab you from their first moments and hold you in their grasp till the lights go out. Others sneak up on gradually until at a certain point you realize that you’ve been hooked … and hooked you stay till the final curtain. Rachel Bonds’ Five Mile Lake, the latest World Premiere from South Coast Repertory, falls into the latter category, and quite a small wonder of a play it is.
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EVERYTHING YOU TOUCH

There’s no L.A. theater quite like The Theatre @ Boston Court for challenging audiences with plays that can, when things go as right as they do in Sheila Callaghan’s initially mystifying Everything You Touch, both stimulate the brain cells and touch the heart.
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REST

Native Idahoan Samuel D. Hunter once again turns the lives of ordinary folk into world-class drama in his latest play, Rest, being given an all-around superb World Premiere production at South Coast Repertory under Martin Benson’s inspired direction.
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