CHURCH & STATE

A North Carolina senator’s “Road To Damascus” conversion from staunch 2nd Amendment advocate to gun control champion may sound about as improbable as Barbara Boxer suddenly turning pro-life, but it makes for powerful, thought-provoking comedy (that’s right, comedy) in Jason Odell Williams’ Church & State, now being given a sensationally acted and directed NNPN Rolling World Premiere* by Skylight Theatre Company.
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THE ARMADILLO NECKTIE

From the moment the lights go up on a mobile command center somewhere in the Iraqi desert where a hooded man finds himself strapped to a chair, a pair of jumper cables attached to his nuts by a military officer whose first words are “Whatsup, mothafucka?” you know you’re no longer at your grandparents’ Lonny Chapman Theatre as The Group Rep debuts Gus Krieger’s outrageously dark, outrageously foul-mouthed, outrageously funny The Armadillo Necktie.
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BIG SKY

Neil Simon meets Euripides in Alexandra Gersten-Vassilaros’s Big Sky, a Geffen Playhouse World Premiere that ends up far more than simply the one-liner-packed comedic romp its first act would lead you to expect.
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A THORN IN THE FAMILY PAW

Life’s many obstacles prove no match for the ties that bind—promises, responsibilities, guilt, laughter, and above all love—in Garry Michael Kluger’s heart-and-humor-filled A Thorn In The Family Paw, a Theatre West World Premiere that already feels like a contemporary classic.
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THE BOY WHO DANCED ON AIR

As the centuries-old Afghan tradition of Bacha Bazi (i.e. selling boys from poor families to wealthy masters to serve as their private entertainment) continues well into the present day, a couple of teenage dancers fall into first love in Tim Rosser and Charlie Sohne’s gorgeous and powerful The Boy Who Danced On Air, the latest World Premiere musical from San Diego’s Diversionary Theatre.
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THE END TIMES

A university student raised in a religious cult finds himself beginning to doubt his lifelong beliefs in Jesse Mu-En Shao’s World Premiere drama The End Times, an engrossing, thought-provoking first collaboration between Skylight Theatre Company and Playwrights’ Arena.
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OFFICE HOUR

Sandra Oh and Raymond Lee give electrifying performances as a college adjunct professor and the student she suspects just might be capable of mass murder in Julia Cho’s ripped-from-today’s-headlines Office Hour, now riveting audiences in its World Premiere engagement at South Coast Repertory.
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FUTURE THINKING

An obsessed fan is no laughing matter (remember Kathy Bates in Misery?), that is unless the obsessed fan in question is the one under hotel arrest in Eliza Clark’s delightful, surprising, and ultimately quite touching new dramedy Future Thinking, now World Premiering at South Coast Repertory.
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