BLUEBERRY TOAST

Ozzie And Harriet could take lessons from Walt and Barb in suburban perfection, or at least they could until Walt’s disdain for this morning’s breakfast entree turns things haywire in Mary Laws’ bizarre absurdist black comedy Blueberry Toast, an Echo Theater World Premiere highlighted by a pair of bravura performances by Jacqueline Wright and Albert Dayan.
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MUTUAL PHILANTHROPY

Copiously consumed whisky and wine fuel a dinner party for four as playwright Karen Rizzo puts a personal face on the social divide between the super-wealthy and the other 99% of us Angelinos in her explosive dark comedy Mutual Philanthropy, now getting an excitingly acted World Premiere by Ensemble Studio Theatre/LA.
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THE TWO KIDS THAT BLOW SHIT UP

Playwright Carla Ching takes a tried-and-true formula (best friends who can’t quite get it into their noggins that they are Made For Each Other) and turns it on its head in her World Premiere dramedy The Two Kids Who Blow Shit Up, not only L.A. theater at its intimate best but a textbook example of how #diversity works.
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DRAMA QUEENS FROM HELL

NOT RECOMMENDED

Significant trimming and tweaking is needed to make Peter Lefcourt’s Hollywood-spoofing Drama Queens From Hell the comedy hit it aspires to be despite some occasional insider hilarity and several deliciously scene-stealing performances.
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BLUEPRINT FOR PARADISE

The weeks leading up to Japan’s attack on Pearl Harbor provide the historical backdrop for Blueprint For Paradise, Laurel M. Wetzork’s fascinating, fact-inspired look at the unlikely friendship between the heiress wife of an American Nazi sympathizer and the African-American architect hired to design a “refugee compound” on fifty-acres of the couple’s Pacific Palisades estate.
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ELECTRICITY


Opposites not only attract, they generate Electricity in Terry Ray’s captivating World Premiere tale of two gay men who just happen to meet Same Time Next Decade in the same Ohio motel room from the early 1980s to the present day and (as the song goes) can’t help falling in love.
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SPACE

Disproving the oft-suggested notion that a playwright should never direct his own work, Stefan Marks not only scores a double bulls-eye at the Stella Adler; in never leaving the stage as Space’s riveting protagonist, the Ovation Award-winning director-writer-actor proves himself a bona fide triple-threat in this brain-teasing dazzler of a play.
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ONE OF THE NICE ONES

Expect the unexpected—and then some—in Erik Patterson’s One Of The Nice Ones, an edge-of-your-seat dark comedy so filled with “I didn’t see that coming” twists that it’s almost impossible to review without revealing a spoiler or two, but I’ll do my best, while at the same time still providing a taste of the latest from one of L.A.’s most exciting contemporary playwrights now making his Echo Theater Company debut.
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