PAST TIME

Stepping inside someone else’s skin may be just what Grandpa James and Grandson Chris need to make their respective romantic lives click in Padraic Duffy’s deliciously quirky, often side-splittingly funny, ultimately heartwarming (albeit somewhat over-padded) World Premiere comedy Past Time, now playing at Sacred Fools’ excitingly refurbished digs on Hollywood’s Theatre Row.
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CRIERS FOR HIRE

A trio of SoCal Filipinas earning extra cash by weeping and wailing at funerals may provide the title (and the hook) for Giovanni Ortega’s Criers For Hire, but it’s the play’s mother-daughter reunion and its look at a teenage girl’s coming-of-age in a new land that give Ortega’s delightful, charming World Premiere comedy its emotional heart and punch.
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DREAM CATCHER

Highly-charged subject matter, dynamic performances, and enough sexual heat to match the highest temperatures in the Mojave Desert spark Stephen Sachs’ thought-provoking Dream Catcher, now electrifying audiences in its World Premiere engagement at the Fountain Theatre.
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THE DODGERS

What if all it took to determine whether you lived or died was your date of birth? This was the worst nightmare come true of over 850,000 18-26-year-old American males back on December 1, 1969, when the United States government held its first “Draft Lottery,” the losers of which were virtually assured a one-way ticket to Vietnam.

Playwright Diana Amsterdam takes us back to this not-so-long-ago reality in her gripping new play The Dodgers, now getting an exciting World Premiere at the Hudson Mainstage with as star-studded a 20something cast as you’re likely to see all year in a 99-seat production.
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THE MADWOMAN IN THE VOLVO

RECOMMENDED

Solo queen Sandra Tsing Loh has arrived at South Coast Rep with a couple of guest actresses in tow for The Madwoman In The Volvo, an autobiographical look at menopause and infidelity more likely to appeal to female theatergoers forty-five and older than to those who don’t fit this specific demographic.
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TIMESHARE

RECOMMENDED

A ragtag sales staff’s attempts to convince would-be buyers to take a chance on the proverbial “deal of a lifetime” add up to a series of wild-and-wacky Act One vignettes till a pre-intermission plot twist sends Steve B. Green’s World Premiere comedy Timeshare into darker, somewhat less successful territory.
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HOME FOR CHRISTMAS

The Christmas season has arrived in Claremont, and with it Candlelight Pavilion Dinner Theatre’s 30th-annual original holiday musical, and though Home For Christmas may not  offer the grown-up pleasures of 2014’s It’s Christmas Every Day and 2013’s Because It’s Christmas, Candlelight’s latest nonetheless provides ample reason for families with children to treat themselves to lunch or dinner and a show at the Pavilion.
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RIO HONDO

Earlier this year in their brilliantly spoofy Entropy, playwright Bill Robens and Theatre Of NOTE managed somehow to stage a gazillion-dollar Hollywood space-travel epic inside a 40something-seat theater. Robens and NOTE now work the same magic on that most American of movie genres—the Western—in their World Premiere comedy Rio Hondo, to my knowledge the very first L.A. theater production presented “in CinemaStage” and one that no horse opera lover will want to miss.
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