DEATH HOUSE

What starts off as a capital punishment-vs.-life imprisonment debate develops into something considerably deeper and more powerful in Jason Karasev’s profoundly moving Death House, a Road Theatre Company World Premiere.
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JOCASTA: A MOTHERF**KING TRAGEDY

Technical marvels and some inventive directorial touches aren’t enough to rescue The Ghost Road Company’s Jocasta: A Motherf**king Tragedy from its performance-artsy approach to Greek tragedy and its lackluster lead.
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SISTERS THREE

A pair of quirky contemporary adult siblings bearing more than a passing resemblance to Anne and Emily Brontë generate dramatic sparks aplenty in Jami Brandli’s Sisters Three, that is until Charlotte shows up near the end and the Inkwell Theater World Premiere turns from a mostly quite absorbing two-hander to a solo performance that goes off the deep end … way off.
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A CAROL CHRISTMAS

A bossy, workaholic fashion mogul makes major life changes thanks to a trio of late-night visitors in The Group Rep’s World Premiere holiday musical A Carol Christmas, a tuneful Charles Dickens-inspired crowd-pleaser that with some astute revisions could well end up a regional December delight.
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MIDDLE8

If Thornton Wilder were still alive to write a rock opera about five musicians dealing with issues of love, life, death, and what comes after, he might choose to title it Our Band. Stefan Marks calls his play-with-songs Middle8, and for anyone who’s seen the playwright-actor-director-musician-designer’s past work, it should come as no surprise that Middle8 is label-defyingly special.
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REMEMBERING BOYLE HEIGHTS

Boyle Heights, Los Angeles, its past, its present, and the challenges it faces in the future, make for an eye-opening theatrical experience in Casa 0101’s World Premiere docudrama Remembering Boyle Heights.
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DEATH AND COCKROACHES

A man-sized cockroach with the body of a gay porn god offers a cock-addicted aspiring TV writer unexpected aid in dealing with his father’s imminent death in Eric Reyes Loo’s raunchy, risk-taking, emotionally rewarding dysfunctional-family dramedy Death And Cockroaches, a Chalk Repertory Theatre World Premiere.
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BLISS (or Emily Post is Dead!)

Clementine, Maddy, and Antonia are women on the verge of a nervous breakdown in North Orange, New Jersey circa 1960 in Jami Brandli’s BLISS (or Emily Post is Dead!). That they’re also Clytemnestra, Medea, and Antigone reincarnated is one reason Brandli’s take on mid-20th-century suburbia works considerably less well than it would if she had stuck to satire. The other is the play’s two-and-a-half-hour running time.
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