DOPE QUEENS

Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
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APPLE SEASON

Childhood abuse survivors return to the Oregon farm they once called home in E.M. Lewis’s compact dramatic gem Apple Season, a National New Play Network Rolling World Premiere now riveting audiences at Atwater Village Theatre.
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THE DIRECTION HOME

Tonally it’s all over the place and its lackluster title is unlikely to prove a box-office draw, but Greg Vie’s autobiographical The Direction Home works for the most part as a nostalgic, touching coming-of-age comedy set in WeHo only a few years before the music died.
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STRONG ARM

Taking as his inspiration Anton Chekhov’s The Seagull, playwright Wyn Moreno has created a contemporary dysfunctional family dramedy that stands tall on its own merits in Strong Arm, the World Premiere latest from Orange County’s The Wayward Artist.
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READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
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MYSTERIOUS CIRCUMSTANCES

Truth is indeed stranger than fiction in Michael Mitnick’s time-traveling, mind-tripping look at the Mysterious Circumstances surrounding the still unsolved death of the world’s foremost Sherlock Holmes scholar.
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BESTSELLER

The quirky young writers who populate Peter Quilter’s new comedy may have funny things to say, but engaging characters and amusing one-liners aren’t nearly enough to suggest post-World Premiere life for Bestseller, that is unless the author of Glorious! and End Of The Rainbow can provide them with something every playwright should have in his bag of tricks. A plot.
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LADIES

An all-female creative team join forces to bring a quartet of mid-18th-century pre-feminist Englishwomen to sporadically intriguing but too often meandering 21st-century life in Kit Steinkellner’s Ladies, a Boston Court Pasadena World Premiere.
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