A CLEAN BRUSH

After having given a number of Norm Foster comedies their American or West Coast Premieres, Theatre 40 now gets first dibs on Foster’s latest. Unfortunately, A Fresh Brush proves one of the prolific comic master’s lesser efforts, but that doesn’t mean that its cast of Canadian oddballs don’t earn their fair share of chuckles.
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REVENGE PORN OR THE STORY OF A BODY


A disgruntled ex gets back at his onetime bed partner in the most publicly demeaning of ways by posting online the nude selfies she’d sent him years earlier in Carla Ching’s Revenge Porn or The Story of a Body, the thrillingly hot-button latest from Ammunition Theatre Company.
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THE WEST SIDE WALTZ


It’s a family affair at Will Geer’s Theatricum Botanicum as the legendary Grandpa Walton’s eldest daughter Ellen Geer, her sister Melora Marshall, and Ellen’s daughter Willow Geer make theatrical magic in The West Side Waltz, Ernest Thompson’s captivating slice of 1980s New York life.
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TROUBLE THE WATER


Will Geer’s Theatricum Botanicum pays tribute to a little-known figure in African-American history in Ellen Geer’s illuminating, emotion-packed biodrama Trouble The Water, freely adapted from Rebecca Dwight Bruff’s award-winning 2019 novel of the same name.
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ROMEO & JULIET: CHOOSE YOUR OWN ENDING


Should Romeo woo Juliet or should he court Rosaline? This is just the first of three major life decisions left up to an audience vote at the Morgan-Wixson Theatre in Ann and Shawn Fraistat’s Romeo & Juliet: Choose Your Own Ending, a hilariously clever new take on a centuries-old classic.
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BEACH PEOPLE


A quartet of sunbathers philosophize on the sand in Charles A. Duncombe’s absurdist existential comedy Beach People, a City Garage World Premiere impressively acted by a skin-revealing cast of four.
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THE MERRY WIVES OF WINDSOR


Set in the Eisenhower 1950s and featuring a Goodness Gracious Great Bunch of Top 40 oldies, Will Geer’s Theatricum Botanicum’s The Merry Wives Of Windsor takes comedic flight as the inspired vision of director Ellen Geer, who’s not afraid to alter the text if it earns laughter to do Lucy and Ricky and Fred and Ethel proud.
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REMEMBERING THE FUTURE


Imagine if the person you were at age 18 could tell 58-year-old you exactly what they think of your life choices. Playwright Peter Lefcourt does precisely this in his entertaining new “existential comedy” Remembering The Future, now tantalizing audiences with “What ifs” at the Odyssey Theatre.
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