DRAMA QUEENS FROM HELL

NOT RECOMMENDED

Significant trimming and tweaking is needed to make Peter Lefcourt’s Hollywood-spoofing Drama Queens From Hell the comedy hit it aspires to be despite some occasional insider hilarity and several deliciously scene-stealing performances.
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NEXT TO NORMAL

The 99-seat Pico Playhouse proves a just-right setting for a compelling, powerfully-performed intimate staging of Tom Kitt and Brian Yorkey’s Next To Normal, one of only nine musicals in Broadway history to have won the Pulitzer Prize.
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GO BACK TO WHERE YOU ARE

There’s a whole lot of fourth-wall-breaking going on in Go Back To Where You are, David Greenspan’s magical seventy-five minute bit of meta-theatrical romance and whimsy now getting an admittedly brain-challenging but absolutely captivating West Coast Premiere by the Odyssey Theatre Ensemble.
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THE IMAGINARY INVALID

Theatricum Botanicum legend Ellen Geer follows her 2014 Queen Lear with another gender-bending star turn, this time as Molière’s Malade Imaginaire, aka The Imaginary Invalid, Constance Congdon’s 21st-century adaptation turning a three-and-a-half-century-old farce into a playfully raunchy laughfest that would do Mel Brooks proud.
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A RAISIN IN THE SUN

Star turns you’d expect to see at the Pasadena Playhouse or the Geffen distinguish Ruskin Group Theatre’s 57th-anniversary revival of the New York Drama Critics Circle Award-winning A Raisin In The Sun, Lorraine Hansberry’s piercing look at racial discrimination, gender roles, family values, and burgeoning African-American identity—a modern American classic that remains as relevant today as it was in the pre-Civil Rights Era 1950s.
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RECORDED IN HOLLYWOOD

Last year’s 99-seat World Premiere musical smash Recorded In Hollywood has returned big time as a Kirk Douglas Theatre guest production in a much retooled upscale transfer that promises even greater things ahead for the crowd-pleasing, get-up-and-dance Memphis/Motown-style tribute to 1950s/60s African-American R&B groundbreaker John Dolphin.
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THE ECCENTRICITIES OF A NIGHTINGALE

Ginna Carter gives quite possibly the year’s most brilliant dramatic performance as Alma Winemiller in Pacific Resident Theatre’s absolutely superb revival of Tennessee Williams’ The Eccentricities Of A Nightingale, impeccably directed by Dana Jackson.
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BIG SKY

Neil Simon meets Euripides in Alexandra Gersten-Vassilaros’s Big Sky, a Geffen Playhouse World Premiere that ends up far more than simply the one-liner-packed comedic romp its first act would lead you to expect.
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