OTHER PEOPLE’S MONEY

Nearly three decades may have passed since Other People’s Money first introduced off-Broadway audiences to corporate takeover whiz Larry The Liquidator, but Jerry Sterner’s bitingly comedic look at our country’s increasingly affluent 1% proves as relevant as ever as evidenced by its terrifically entertaining (though sadly just-closed) InterACT Theatre Company revival.
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MERRILY WE ROLL ALONG

Broadway couldn’t do it any better than the breathtaking revival of Stephen Sondheim and George Furth’s Merrily We Roll Along now playing at Beverly Hills’ Wallis Annenberg Center For The Performing Arts, not unless they too could get recent Tony nominee Michael Arden on board to direct with the same originality and flair he brought to last season’s Spring Awakening or come up with a cast as spectacular as the one at the Wallis.
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THE CONSUL, THE TRAMP, AND AMERICA’S SWEETHEART

Here’s a fun fact for you. Hollywood routinely allowed Hitler’s Nazis to dictate movie content during the decade leading up to World War II, a bit of Tinseltown trivia at the heart of John Morogiello’s The Consul, The Tramp, And America’s Sweetheart, the engaging, enlightening latest from Theatre 40.
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A TASTE OF HONEY

Teenage Jo comes of age once again in A Taste Of Honey, Shelagh Delaney’s groundbreaking slice of mid-20th-century Manchester life made must-see at West L.A.’s Odyssey Theatre by its native Mancunian star’s haunting lead performance.
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VICUÑA

A $110,000 vicuña wool suit may be all that stands between business tycoon-turned-reality TV host-turned Republican Presidential nominee Kurt Seaman and the White House in Jon Robin Baitz’s ripped-from-today’s-headlines Vicuña, a Kirk Douglas Theatre World Premiere drama that proves as hilarious as it is gripping and talk-provoking.
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THE MODEL APARTMENT

Though likely to prove a considerably harder sell than the playwright’s more audience-friendly later works, Pulitzer Prize-winner Donald Margulies’ 1988 The Model Apartment has been given a Geffen Playhouse intimate revival worth seeing for its all-around superb performances, direction, and design.
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FOR THE RECORD: SCORSESE – AMERICAN CRIME REQUIEM

L.A.’s uber-popular For The Record franchise once again dazzles, this time with an absolutely stunning Broadway-scale, Broadway-caliber For The Record: Scorsese – American Crime Requiem at Beverly Hills’ sumptuous Wallis Annenberg Theatre.
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BARBECUE

Trailer trash knows no color in the sordid lives brought to booze-chugging, drug-snorting, profanity-spewing life in Barbecue, Robert O’Hara’s outrageously twisted, hysterically funny new comedy now making its West Coast debut at the Geffen Playhouse, and that’s just Act One.
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