OPHELIA


Award-winning writer-director-actor-designer Stefan Marks is back, and wearing all four hats at once, with Ophelia, his latest blend of theatrical magic, whimsy, and profundity.
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FAT HAM


Risk-taking, rule-breaking, exuberant joie de playwriting won James Ijames the Pulitzer Prize for his contemporary comedic queer African-American take on Hamlet, Fat Ham, now blowing audiences’ minds at the Geffen Playhouse.
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A VIEW FROM THE BRIDGE


Pulitzer Prize winner Arthur Miller ignites fires of lust, jealousy, and revenge at Theatre Palisades in A View From The Bridge, a community theater stunner whose riveting performances and spot-on direction rival the best that L.A. equity houses have to offer.
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BETRAYAL


The aftermath of Harold Pinter’s seven-year love affair with the wife of a close friend serves as point of departure for his 1978 three-hander Betrayal, the fascinating latest from City Garage.
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STRANGERS ON A TRAIN


Theatre 40 hits a suspense thriller bullseye with Craig Warner’s edge-of-your-seat take on Patricia Highsmith’s dark and twisted page-turner Strangers On A Train.
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BRUSHSTROKE


There’s nothing quite like a book, movie, TV show or play that has audiences gasping “I did not see that coming.” Case in point: John Ross Bowie’s World Premiere wow of a comedy thriller, Brushstroke, now getting a world-class World Premiere at the Odyssey.
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POTUS Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive


Comedic chaos runs wild at the Geffen Playhouse in Selina Fillinger’s farcical, filthy, fabulously entertaining POTUS Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive.
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THE MANOR: MURDER AND MADNESS AT GREYSTONE


The Manor: Murder and Madness at Greystone is back for the first time since its last pre-Covid run, exciting news for L.A. theatergoers eager to return to the L.A. mansion where the titular “murder” and “madness” actually occurred.
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