THE PITCH

A widowed single father finds himself in hot water with the IRS soon after embarking on a phone sales job he seems woefully ill suited for in Tom Alper’s overly padded but mostly entertaining The Pitch, an Odyssey Theatre visiting production.
(read more)

THE SUBSTANCE OF FIRE

Five years after his acclaimed star turn as Willy Loman, Rob Morrow returns to the Ruskin Group Theatre in another powerhouse role, that of Holocaust survivor-turned-New York publisher Isaac Geldhart in Jon Robin Baitz’s The Substance Of Fire, a family drama unfortunately not in the same league as Death Of A Salesman.
(read more)

THE SPY WHO WENT INTO REHAB


A debonair British secret agent faces his evilest and most nefarious foe, i.e., his own alcohol, nicotine, gambling, and sex addictions (with anger issues thrown in for good measure), in Gregg Ostrin’s deliciously clever, fiendishly funny The Spy Who Went Into Rehab, the latest from Pacific Resident Theatre.
(read more)

DESIGN FOR LIVING

An Americanized trio of romantic protagonists and a gay subtext made explicit are two reasons Odyssey Theatre Ensemble’s provocative but problematic staging of Noël Coward’s Design For Living is a far cry from the one Broadway audiences first discovered back in 1933.
(read more)

THE EXPLORERS CLUB


Things get wild and wacky when a comely female anthropologist is proposed for membership in a heretofore all-male scientific society in Nell Benjamin’s madcap Victorian romp The Explorers Club, now getting a delectably acted West Coast Premiere at Theatre 40.
(read more)

THE BALD SOPRANO

Romanian-French playwright Eugène Ionesco invented a whole new genre of comedy back in 1950 with his théâtre de l’absurde ground-breaker The Bald Soprano, and if its 2024 City Garage revival is still rough around the edges as of opening weekend, there remains plenty to entertain an audience.
(read more)

OPHELIA


Award-winning writer-director-actor-designer Stefan Marks is back, and wearing all four hats at once, with Ophelia, his latest blend of theatrical magic, whimsy, and profundity.
(read more)

FAT HAM


Risk-taking, rule-breaking, exuberant joie de playwriting won James Ijames the Pulitzer Prize for his contemporary comedic queer African-American take on Hamlet, Fat Ham, now blowing audiences’ minds at the Geffen Playhouse.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »