THE MANOR: MURDER AND MADNESS AT GREYSTONE


The Manor: Murder and Madness at Greystone is back for the first time since its last pre-Covid run, exciting news for L.A. theatergoers eager to return to the L.A. mansion where the titular “murder” and “madness” actually occurred.
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DOG MAN: THE MUSICAL


Kids’ shows don’t get any more adult-friendly than Dog Man: The Musical, which is why whether or not you have school-age children who want to tag along, the off-Broadway hit’s new National Tour, now playing at the Kirk Douglas, just might be the most fun you’ll have at a theater this entire holiday season.
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THE HALF-LIGHT


Four emotionally scarred individuals get a second chance at happiness in Monica Wood’s The Half-Light, a Theatre 40 West Coast Premiere whose touching performances and message of hope make this heartstrings-tugger a bona fide audience-pleaser.
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INSULTED. BELARUS


A nation’s failed efforts to unseat one of the world’s most reviled dictators comes to stunning, gut-punching life in City Garage Theatre’s English-language World Premiere of Andrei Kureichik’s Insulted. Belarus, an eye-opener to those like myself who knew little to nothing about recent events in Europe’s 13th largest country.
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THE ENGAGEMENT PARTY


There’s probably never been an engagement party anywhere near as drama-packed as the one now occurring nightly in Westwood as the Geffen Playhouse treats Angelinos to the West Coast Premiere of Samuel Baum’s gasp-aloud, plot-twisty The Engagement Party.
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FOLLIES (CONCERT VERSION)


With a now basically unaffordable original Broadway cast of 47 (and opulent sets and costumes to match), Stephen Sondheim and James Goldman’s Follies turned out to be the ideal rarely-staged gem for Musical Theatre Guild to introduce audiences to its best-ever new space at Santa Monica’s The Broad Stage, a one-night-only concert version that more than earned Sunday’s extended standing ovation.
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TOWARDS ZERO

Haphazard casting and shaky direction make Agatha Christie’s Towards Zero the weakest Theatre 40 production since the company’s return to live, in-person programming over two years ago.
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BIRDS OF NORTH AMERICA


A lifetime of failed opportunities to connect weighs heavy on the hearts of the father-daughter protagonists of Anna Ouyang Moench’s haunting Birds Of North America, exquisitely acted by Arye Gross and Jacqueline Misaye at the Odyssey Theatre.
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