THE LAST, BEST SMALL TOWN


Two families living side by side in smalltown America, their teenage offspring head-over-heels in love, and an all-seeing, all-knowing stage manager serving as our narrator. Sound familiar?

Only the town in question isn’t Grover’s Corners, New Hampshire. It’s Fillmore, California, the families are the Millers and the Gonzalezes, and the year is 2005 in John Guerra’s World Premiere wonder The Last, Best Small Town, now captivating audiences at Will Geer’s Theatricum Botanicum.
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A MIDSUMMER NIGHT’S DREAM


A Midsummer Night’s Dream, a quarter-century tradition at Will Geer’s Theatricum Botanicum, is back for 2021, trimmed to ninety minutes and jam-packed with physical comedy and song performed by one of the finest Theatricum casts ever, most of them performing in it for the very first time.
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TAMING THE LION


1930s Hollywood lives again at Theatre 40 in Taming The Lion, Jack Rushen’s absorbing, entertaining, enlightening look back at Top 5 Box Office draw William Haines, who gave up stardom for the man he loved.
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TEVYE IN NEW YORK


If you’ve ever wondered what happened to Tevye and his family after the curtain went down on Fiddler On The Roof, Tom Dugan imagines the fabled milkman’s new life in America in Tevye In New York, a solo performance that reopens The Wallis in an open-air setting just outside the theater’s Beverly Hills digs.
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SUNDAY DINNER

An abundance of secrets and lies get revealed over the course of one eventful evening in Tony Blake’s funny, engaging, twist-filled Sunday Dinner, now getting a spiffy, splendidly acted World Premiere production at Beverly Hills’ Theatre 40.
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IT’S ONLY A PLAY

If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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BAD HABITS

A nonagenarian TV legend spars with a quintet of salty-tongued singing nuns in Steve Mazur’s comedic crowd-pleaser Bad Habits, a holiday hit for Santa Monica’s Ruskin Group Theatre held over to start 2020 with a bang.
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