POWER OF SAIL


The consequences are catastrophic when a respected Ivy League professor invites an infamous white nationalist to speak at Harvard in Paul Grellong’s Power Of Sail, a powerhouse Geffen Playhouse West Coast Premiere sure to have audiences talking long after the lights go out, and not just because of Bryan Cranston’s riveting lead performance and Amy Brenneman’s fiery featured turn.
(read more)

GOOD PEOPLE


Beverly Hills’ Theatre 40 gives David Lindsay-Abaire’s consistently compelling Good People an impeccably acted intimate theater revival whose only real minus is its scenic design.
(read more)

PARADISE BLUE


A nightclub owner haunted by a lifetime of demons meets a woman who spells “trouble” with a capital T in Dominique Morisseau’s Paradise Blue, the kind of noir Hollywood could have made back in the late 1940s but didn’t, an explosive West Coast Premiere at the Geffen.
(read more)

AS GOOD AS GOLD

Theatre 40 opens its 2021-2022 season with Marilyn Anderson’s As Good As Gold, a Hollywood satire not nearly as good as the solid gold cast who do their darnedest to make it shine.
(read more)

LIZASTRATA


Start spreading the news. The Troubadour Theater Company is back, live and in person at the Getty Villa, mashing up the ancient Greek comedy Lysistrata with the Troubies’ trademark blend of zany jokes, inspired adlibs (impromptu or scripted, you be the judge), snappy dance moves, and “the music of Liza Minnelli” in the cleverly redubbed Lizastrata.
(read more)

JULIUS CAESAR


Adeptly trimmed to a brisk eighty minutes by Theatricum Botanicum legend Ellen Geer and filled with as much action as it is with political intrigue, William Shakespeare’s Julius Caesar adds up to classical theater as thrillingly staged as it is easily accessible to 21st Century audiences.
(read more)

THE LAST, BEST SMALL TOWN


Two families living side by side in smalltown America, their teenage offspring head-over-heels in love, and an all-seeing, all-knowing stage manager serving as our narrator. Sound familiar?

Only the town in question isn’t Grover’s Corners, New Hampshire. It’s Fillmore, California, the families are the Millers and the Gonzalezes, and the year is 2005 in John Guerra’s World Premiere wonder The Last, Best Small Town, now captivating audiences at Will Geer’s Theatricum Botanicum.
(read more)

A MIDSUMMER NIGHT’S DREAM


A Midsummer Night’s Dream, a quarter-century tradition at Will Geer’s Theatricum Botanicum, is back for 2021, trimmed to ninety minutes and jam-packed with physical comedy and song performed by one of the finest Theatricum casts ever, most of them performing in it for the very first time.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »