LISTING


To renovate or not to renovate, that is the question when an early 20th-century architectural gem is put up for sale in Russell Brown’s Listing, an already absorbing drama when slowly but surely it reveals its true nature as one doozy of a thriller.
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THE SEAGULL

A TV-star-studded guest production at the Odyssey Theater does a mostly terrific job of reminding audiences that Anton Chekhov’s The Seagull is, as its author steadfastly maintained, a comedy, but falls short of that goal in the play’s downer of a final act.
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CAT KID COMIC CLUB THE MUSICAL

I’m not a kid, so maybe take this review with a grain of salt, but after last year’s delightful Dog Man: The Musical, this holiday season’s Cat Kid Comic Club: The Musical at the Kirk Douglas Theatre comes as a major letdown.
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BAT BOY: THE MUSICAL

A trio of topnotch star turns are the three best reasons to catch Morgan-Wixson Theatre’s over-the-top staging of the horror rock extravaganza that is Bat Boy: The Musical. (It would help too if you could understand what the characters are saying/singing.)
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THE LIGHT IN THE PIAZZA


Star turns don’t get more stunning than the pair delivered by Kim Huber and Valerie Larsen in Musical Theatre Guild’s spectacular one-night-only concert staged reading of Craig Lucas and Adam Guettel’s The Light In The Piazza.
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JANE AUSTEN IN 89 MINUTES


Jane Austen fans are guaranteed to go gaga for Jane Austen In 89 Minutes, Syrie James’s deliciously clever retelling of every single novel Jane ever published, now getting a scintillatingly performed World Premiere production at Theatre 40.
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3 FACES OF STEVE: SONDHEIM IN CONCERT


It’s Stephen Sondheim heaven at the Odyssey as 3 Faces Of Steve: Sondheim In Concert treats musical theater lovers to over two dozen of the Broadway legend’s greatest hits, with some lesser-known ditties thrown in to spice up the mix.
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DRAGON LADY


Broadway vet Sarah Porkalob pays loving tribute to her feisty Filipina grandmother while bringing to vivid life more than two dozen finely delineated characters and showing off exquisite three-octave pipes in her much lauded solo show Dragon Lady, now paying the most entertaining and compelling of visits to Westwood’s Geffen Playhouse.
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