THE BEAUTIFUL PEOPLE


Tim Venable’s hot-button-issue World Premiere two-hander The Beautiful People will have you thinking and talking about the gut-punching latest from Rogue Machine long after the stage has gone dark at Melrose’s Matrix Theatre.
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KING JAMES


Two young men forge a life-changing best-friendship thanks to their shared love of basketball (and more specifically of b-ball superstar LeBron James) in Rajiv Joseph’s heart-stopping brom-com King James, now bringing audiences to their feet at the Mark Taper Forum.
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VENUS IN FUR


A sizzling Sam Bianchini ignites the Atwater Village Theatre stage opposite the dynamic Roland Ruiz in David Ives’ Venus In Fur, as provocative and daring as it is maddeningly cryptic.
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BRIGHT HALF LIFE


An interracial same-sex couple embark upon a four-decade-long roller-coaster ride of romantic highs and lows in the Road Theatre Company’s Los Angeles Premiere of Tanya Barfield’s Bright Half Life, as funny and sad and moving a two-character dramedy as I’ve seen in ages.
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MARRY ME A LITTLE


Stephen Sondheim lovers craving something less frequently revived than Into The Woods, Sweeney Todd, Company, Sunday In The Park With George, or Assassins will find it this month in International City Theatre’s Marry Me A Little, sixty minutes of Sondheim gems that you just might be discovering for the very first time.
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A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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FIREFLIES

An oversexed Martin Luther King-like preacher and his overstressed wife find the cracks in their marriage increasingly tough to overlook in Fireflies, Donja R. Love’s overwrought Civil Rights-era two-hander whose melodramatic overload proves distressingly underwhelming.
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THE LAST FIVE YEARS

If you’re any kind of musical theater buff, you’ve probably seen Jason Robert Brown’s The Last Five Years at least once. But trust me. You’ve never seen, heard, or breathed in anything like The Last Five Years: A Multisensory Experience, the latest from the adventurous After Hours Theatre Company.
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