LITTLE WOMEN

Sierra Madre Playhouse gives students from the California School Of The Arts-San Gabriel Valley the chance to perform with experienced adult actors in Louisa Mae Alcott’s beloved American classic Little Women.
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NEIL SIMON’S MUSICAL FOOLS

A little-known Neil Simon gem serves as the inspired source for Neil Simon’s Musical Fools, a delightfully tuneful, downright hilarious Open Fist Theatre Company musical comedy surprise.
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THE CANADIANS

A couple of small-town 20something BFFs embark on the gay cruise of a lifetime courtesy of South Coast Repertory in Adam Bock’s hilarious–and unexpectedly touching–World Premiere romantic comedy The Canadians.
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ONCE

You may have seen it once on Broadway, and once more when its National Tour played locally, and once more still when South Coast Repertory debuted it regionally, but forget all those Onces. If you haven’t seen the Tony-winning Best Musical of 2012 restaged in the round by the brilliantly inventive Kari Hayter for 3-D Theatricals, you haven’t yet experienced the full musical-theater wonder that is Once.
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THE DROWSY CHAPERONE

A veritable who’s who of Morgan-Wixson Theatre regulars, a director on a roll, and a crackerjack team of production designers join forces to make Broadway’s The Drowsy Chaperone the all-around best Morgan-Wixson musical I’ve reviewed since first raving about their Thoroughly Modern Millie back in 2009.
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MISS LILLY GETS BONED

A 35-year-old Sunday School teacher who’s saving herself for Hugh Grant. A man who might just be the next best thing to Hugh. A child grieving his mother’s recent death. An elephant guilty of murder. A doctor given a week to tame this lethal beast. Stir in a sexually hyperactive younger sister and you’ve got Bekah Brunstetter’s latest theatrical gem, Miss Lilly Gets Boned, freshly revised from its 2010 World Premiere for its 2019 Rogue Machine West Coast debut.
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GEM OF THE OCEAN

There is much to rave about in A Noise Within’s big-stage revival of August Wilson’s Gem Of The Ocean, not however its nearly three-hour running time and one particularly over-the-top performance.
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A KID LIKE JAKE

What would you do if your four-year-old son’s love for all things Cinderella represented not just an affection for the fairytale heroine but something considerably more profound? This is the dilemma facing a 30something husband and wife in Daniel Pearle’s engrossing family dramedy A Kid Like Jake, a hot-button-issue IAMA Theatre Company West Coast Premiere.
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