jackbenny: And on the 366th Day

When a date happens only once every four years, it acquires event status, which is why jackbenny’s February 29, 2020 one-nighter at the Luckman Fine Arts Center Intimate Theatre, cleverly dubbed “And on the 366th Day,” not only proved a musical extravaganza of epic proportions, the next time the singing, songwriting twins will be able to repeat the event won’t be for another 1461 days.
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IN MY MIND’S EYE

A visually impaired middle-schooler comes of age in The Group Rep’s 35th-anniversary revival of Doug Haverty’s engaging dramedy In My Mind’s Eye.
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BRIGHT STAR

Glendale Centre Theatre treats audiences to Steve Martin and Edie Brickell’s Bright Star, not only a heady mix of love, betrayal, hope, and redemption but a masterful example of how to convert a great big Broadway show from its multimillion-dollar proscenium roots to a mini-budgeted in-the-round retooling with zero loss of emotional impact.
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WEST ADAMS

If your idea of a good time is spending eighty minutes with a bunch of downright disagreeable individuals doing some downright despicable deeds, you might want to check out West Adams, Skylight Theatre’s self-described “dark comedy about race, class, and bouncy houses.” Others might want to stick to their own neighborhood.
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MEASURE FOR MEASURE

A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister.

William Shakespeare foreshadows the #MeToo movement by about four hundred years in Measure For Measure, a four-century-old play given stunning contemporary relevance by directors Armin Shimerman and Elizabeth Swain at Antaeus Theatre Company.
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THE ANDREWS BROTHERS

International City Theatre’s 35th season gets off to a nostalgically tuneful, breezily comedic start with The Andrews Brothers, Roger Bean’s seniors-targeted journey back to the 1940s, engagingly directed and choreographed for ICT by Jamie Torcellini..
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FOUND

Audiences in search of something excitingly original where musical comedies are concerned need look no further than Found, the latest from IAMA Theatre Company.
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THE BOOK OF MORMON

It’s taken eight years of touring the U.S. for The Book Of Mormon to pay its first visit to the Ahmanson, but the 2011 Best Musical Tony winner’s distinctive mix of raunch, romance, hilarity, and heart make it a show worth waiting for as it continues to pack them in NYC.
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