A GRAND NIGHT FOR SINGING


Musical Theatre West is back, and gloriously so, with A Grand Night For Singing, a grand showcase for the songs of Richard Rodgers and Oscar Hammerstein II and the five triple-threats who light up the MTW stage.
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SALVAGE


The pre-pandemic hit Salvage is back, a couple of terrific cast additions adding even more grit and depth to its already compelling mix of haunted memories and haunting country-flavored songs.
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THE NINTH DOOR


A playwright/actor’s two Marine Corps deployments in Afghanistan inform Matthew Domenico and Katherine Connor Duff’s The Ninth Door, now holding audiences riveted at West Hollywood’s The Other Space.
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HAVE A GOOD ONE

A trio of 20ish Midwesterners, two of them shirtless greeters at a trendy clothing chain called Penderleigh & Ashe, come of age circa Y2K in Stan Zimmerman and Christian McLaughlin’s Have A Good One, the crowd-pleasing latest from Pop-up Playhouse.
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CLUE


McCoy Rigby Entertainment returns live and in person to La Mirada with Clue, eighty minutes of nonstop whodunit hilarity guaranteed to cure the pandemic blues.
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OUR MAN IN SANTIAGO


The CIA enlists the most improbable of assassins to rid Chile of its democratically elected president in Mark Wilding’s edge-of-your-seat hilarious Our Man In Santiago, an incisively directed, pitch-perfectly performed World Premiere from Theatre West.
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JULIUS CAESAR


Adeptly trimmed to a brisk eighty minutes by Theatricum Botanicum legend Ellen Geer and filled with as much action as it is with political intrigue, William Shakespeare’s Julius Caesar adds up to classical theater as thrillingly staged as it is easily accessible to 21st Century audiences.
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CLOSELY RELATED KEYS

A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s Closely Related Keys, an International City Theatre production every bit as topical as it was in its 2014 World Premiere, though ultimately not as effective as it was the first time round.
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