HEAD OVER HEELS


In any other year, Pasadena Playhouse’s Head Over Heels would simply be a Best Production frontrunner. Arriving in November of 2021, this celebration of racial, sexual, and gender diversity set to over a dozen The Go-Go’s hits is nothing short of a theatrical miracle.
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@PLAYAZ


A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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THE WORLD GOES ‘ROUND


Inland Valley Repertory Theatre returned to live programming on Wednesday, November 10, 2021 with a fabulous two-performance-only The World Goes ‘Round, an irresistible two-hour medley of over two dozen of Kander & Ebb’s most memorable songs.
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WAITING IN THE WINGS: THE MUSICAL

A Montana gay boy with stardom in his eyes gets accidentally cast in an off-off-off-Broadway male strip show and multiple complications ensue in the stage adaptation of Jeffrey A. Johns’ 2016 movie musical hit Waiting In The Wings, now getting its World Premiere at Westminster’s Rose Center Theater.
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THE SOLDIER DREAMS & NEVER SWIM ALONE

Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
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AUGUST WILSON’S SEVEN GUITARS

Performances are impeccable and so is its stunning production design, but I found my mind drifting throughout much of the over three-hour-long August Wilson’s Seven Guitars at A Noise Within.
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MAMMA MIA!


Mamma Mia! is back, live on stage in La Mirada, and even if you’re one those who saw it on Broadway (or at any time during its fifteen-plus years of touring the country) and thought “Meh,” you owe it to yourself to see how much better the international megahit can be when freed from its original Broadway direction, choreography, and design.
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