HADESTOWN


Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
(read more)

TOOTSIE


Michael Dorsey and his female alter ego Dorothy Michaels share the Dolby Theatre stage in Tootie, the Tony-winning 2019 Broadway adaptation of the 1982 movie smash, a musical comedy as classic in concept and construction as it is contemporary in its attitudes, casting, and execution.
(read more)

THE TOXIC AVENGER


A power-hungry, moneygrubbing New Jersey mayor, a beautiful, blind librarian, and a bespectacled nerd turned hulking green superhero give bad taste a good name in The Toxic Avenger, the outrageously funny (and very politically incorrect) off-Broadway musical now earning an abundance of “I can’t believe they actually said/sang that!” laughs at Santa Ana’s Grand Central Theatre.
(read more)

SOMETHING ROTTEN!


Simi Valley Cultural Arts Center returns to live programming with a scaled-down but sensational staging of the 2015 Best Musical Tony nominee Something Rotten!
(read more)

LEGALLY BLONDE

Ragged around the edges but blessed with some terrific lead performances, Cupcake Theatre’s intimate revival of Broadway’s Legally Blonde would have me singing its praises even louder had the show not started thirty minutes late to accommodate walk-ins.
(read more)

A DOLL’S HOUSE, PART 2

Impeccably acted by a admirably diverse cast, Lucas Hnath’s A Doll’s House, Part 2 would be another all-around International City Theatre winner if its midsection didn’t get bogged down in a talky rehashing of past events.
(read more)

JANE AUSTEN UNSCRIPTED


Impro Theatre is back with Jane Austen Unscripted, their first in-person show in two-and-a-half years, and that means “new characters, new love stories, and new escapades” twice on Saturdays and twice on Sundays under sunny Toluca Lake skies in the Garry Marshall Theatre Garden.
(read more)

BLUES FOR AN ALABAMA SKY


Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »