नेहा & NEEL (NEHA & NEEL)

A divorced Indian mother and her USA-born-and-raised teenage son embark on the year’s most entertaining and heartwarming road trip in Ankita Raturi’s नेहा & Neel (Neha & Neel), now guaranteeing audiences an abundance of laughs and more than a few cross-cultural insights at the Los Angeles Theatre Center.

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ALICE BY HEART


The off-Broadway critics got it right when they called Alice By Heart’s book muddled, but that didn’t bother me a bit last night, so captivated was I by the impressive production it has been given by MouthBone Theater Company.

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LE SWITCH


It’s love at first sight (but will there be a happily ever after?) for marriage-phobic David and the irresistible Quebecois he meets on a bachelor party trip to Montreal in Philip Dawkins’ very funny and very romantic Le Switch, now charming audiences at the Broadwater Blackbox.
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PETER PAN GOES WRONG


If you thought The Play That Goes Wrong set a laugh record at the La Mirada Theatre for the Performing Arts, that record has now been broken by the even wilder, even wackier, even funnier Peter Pan Goes Wrong.
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MASCOGOS

Memorable performances and a stunning production design go a long way towards overcoming a tangled storyline and the absence of supertitles in Latino Theater Company’s thrillingly acted and visually stunning World Premiere drama Mascogos, now playing at the Los Angeles Theatre Center.
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MS. HOLMES & MS. WATSON–APT. 2B

Even the finest theaters can be permitted a major misfire from time to time, and such is the case with International Theatre Company’s 2025 season closer, Kate Hammill’s Ms. Holmes & Ms. Watson–Apt. 2B.
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CYMBELINE


Cymbeline may seem an unlikely title for a Western a la Gunsmoke, Bonanza, or The Rifleman, but William Shakespeare and the American West prove an inspired mix in Antaeus Theatre Company’s 2025-26 season opener.
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ONCE UPON A ONE MORE TIME

A heaping helping of music video-style dance numbers and over twenty of Britney Spears’ Greatest Hits go a long way towards keeping the audience at Jaxx Theatricals entertained for two and a half hours, but minus multi-million-dollar Broadway production values, Once Upon A One More Time’s book-related shortcomings are harder to ignore in its AEA Showcase Los Angeles Premiere.
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