SCINTILLA


A grown son’s visit to his semi-estranged mother’s woodsy abode soon turns into a matter of life or death as a raging forest fire advances in their direction in Scintilla, Alessandro Camon’s gripping, suspenseful gut-puncher of a Road Theatre Company World Premiere.
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THE KING AND I


Bangkok in the early 1860s comes to vivid, tuneful life as seen through the eyes of an English schoolteacher named Anna Leonowens in the Rodgers & Hammerstein classic The King And I, now being given a top-of-the-line revival at the La Mirada Theatre.
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TORNADO

Three very different women comb the wreckage of a devastating natural disaster in Chris Cragin-Day’s Tornado, a largely engaging Actors Co-op World Premiere, but one that ties things up rather too abruptly to be entirely satisfying.
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MIDNIGHT SCREENING


Take two or more complete strangers, trap them in a single location, and watch the fireworks fly. It’s a formula that worked for John Hughes in his 1985 classic The Breakfast Club and six years later in his not-so-classic Career Opportunities, and it’s a concept that proves every bit as effective at the Zephyr Theatre in Tim Schildberger’s World Premiere winner Midnight Screening.
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AN AMERICAN IN PARIS


A dozen or so Gershwin classics, dance sequences galore, and a pair of sensational star turns steal the show in Musical Theatre West’s latest crowd-pleaser, An American in Paris.
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AVA: THE SECRET CONVERSATIONS


Elizabeth McGovern proves herself as accomplished a playwright as she is a gifted actress in Ava: The Secret Conversations, the Academy Award nominee’s fascinating look at the life and loves of screen goddess extraordinaire Ava Gardner.
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1776


Radical re-conception and revelatory re-casting add up to a revolutionary 21st-century take on Sherman Edwards and Peter Stone’s 1969 Broadway classic 1776 in the 2022 Broadway revival now thrilling audiences at the Ahmanson.
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BATTLESONG OF BOUDICA


Fans of those sword-and-sandal epics that made bodybuilders like Steve Reeves and Gordon Scott action-movie stars in the late-1950s and early-1960s won’t want to miss Christopher Williams Johnson’s Battlesong of Boudica, now thrilling audiences with Jen Albert’s almost nonstop fight choreography at Hollywood’s Hudson Backstage Theatre.
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