DISNEY THE LITTLE MERMAID


Under the sea is the place to be and in-the-round is the way to experience its many magical wonders in The Nocturne Theatre gorgeously designed and swimmingly performed arena staging of Disney The Little Mermaid.
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MILLENNIALS ARE KILLING MUSICALS

There is so much talent on the Colony Theatre stage that it’s a shame they’re not starring in a better show than Nico Juber’s deceptively titled and almost certainly not New York-bound Millennials Are Killing Musicals.
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IRONBOUND


Ironbound, Martyna Majok’s astringently funny, surprisingly affecting look at a Polish immigrant’s pursuit of “The American Dream,” is back in L.A. for an attention-worthy 3-week run at Hollywood’s Madnani Theater.
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FALLEN ANGELS


Non-traditional casting adds a contemporary sensibility to Little Fish Theatre’s effervescent, sparklingly performed revival of Noël Coward’s 1925 comedy gem Fallen Angels.
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BLUE KISS


All bets are off from the moment 17-year-old Susan arrives at 31-year-old Todd’s one-bedroom apartment for her first SAT tutoring session because if you think you know where things are going in Blue Kiss, Stephen Fife’s riveting two-hander now getting its World Premiere at the Ruskin Group Theatre, you’ve got another thing coming.
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FLOWER DRUM SONG

A hundred million miracles may be happening every day, but none are more miraculous where musical theater is concerned than the one that has transformed Flower Drum Song, splendiferously revived at Little Tokyo’s Aratani Theatre, from a show filled with antiquated stereotypes to one that can now take its place among Rodgers and Hammerstein’s finest.

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FOR WANT OF A HORSE


“Horsing around” takes on new meaning in Olivia Dufault’s For Want Of A Horse, Echo Theater Company’s provocative World Premiere look at a man with two loves, his wife Bonnie and a filly named Q-Tip.
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DOGFIGHT

The production has its flaws, but Stella Mulroney and Zachary Santolaya deliver such rich and powerful performances as Rose and Eddie in Mouth Bone Productions’ Dogfight that I couldn’t help once again falling for the Louise Lortel Award-winning Outstanding Musical of 2012.
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