DISNEY’S BEAUTY AND THE BEAST

La Belle et La Bête have brought their “tale as old as time” to Long Beach as Musical Theatre West offers Angelinos an absolutely sensational regional production of Disney’s Beauty And The Beast.
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IN THE HEIGHTS

Lin-Manuel Miranda and Quiara Alegría Hudes’s In The Heights now arrives in Anaheim Heights (sorry, make that Anaheim Hills) in as fine an intimate staging as any you could hope to see of the Tony-winning Best Musical of 2008, Chance Theater mainstays Oanh Nguyen and Kelly Todd directing and choreographing with their accustomed brilliance, aided and abetted by a sensational young cast.
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TWO GROOMS: BIG GAY NORTH HOLLYWOOD WEDDING REDUX

You don’t have to be gay to add Two Grooms: Big Gay North Hollywood Wedding Redux to your Must-See List. In fact, this astutely tweaked reprise of 2009’s smash hit A Big Gay North Hollywood Wedding is fabulous entertainment for theatergoers of all sexual/gender shadings, and what’s even better, it’s all real … or the next best thing.
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FLIM FLAM: HOUDINI AND THE HEREAFTER

“Spiritualism” may not be the first word to spring to mind when master illusionist/escape artist Harry Houdini and Sherlock Holmes/Dr. Watson-creator Sir Arthur Conan Doyle are mentioned, but it is precisely this fascinating but lesser-known aspect of the two men’s lives on which playwright Gene Franklin Smith has based his World Premiere drama Flim Flam: Houdini And The Hereafter, now entertaining and elucidating audiences at Malibu Playhouse.
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THE CURSE OF OEDIPUS

Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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LAND LINE

“When a health crisis forces Terry to move back into his parents’ basement, his best friend John supports him with laughter, sympathy, bravado, and finally, honesty.”

Rarely has a press release taken such pains to be detail/spoiler-free, so in the interest of honoring Ensemble Studio Theatre/LA’s wishes, let me simply say: If you’re in the mood for a beautifully written, exquisitely acted, and often quite funny tearjerker, make plans to see Stephen Dierkes’ World Premiere dramedy Land Line—and should eye makeup be your thing, be sure your mascara is waterproof.
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THE GOODBYE GIRL

Sunday’s delightful “family-affair” concert staged reading of the 1993 Broadway flop The Goodbye Girl made it abundantly clear why, despite a stellar pedigree, the Neil Simon-Marvin Hamlisch-David Zippel musical was not destined for a long life on The Great White Way, yet proved a perfect choice for Musical Theatre West’s One-Night-Only Reiner Reading Series.
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STUPID FUCKING BIRD

2014’s hottest “new” playwright may well be none other than the Russian master Anton Chekhov, his 19th Century classics having inspired not one but three current hits: Christopher Durang’s Vanya And Sonia And Masha And Spike, Donald Margulies’ The Country House, and now —most Chekhov-specifically—Aaron Posner’s inspired meta-dramedy Stupid Fucking Bird, currently being given a sensational West Coast Premiere under the ever-inventive direction of Michael Michetti.
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