UNCLE VANYA

Sunday, February 22nd, 2026


Neil LaBute gives Anton Chekhov’s Uncle Vanya a more contemporary-sounding tweak in the Tony nominated playwright’s third visit to Santa Monica’s City Garage Theatre, and the result is a Vanya that even Chekhov “non-fans” like this reviewer can enjoy.
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I LOVE YOU, YOU’RE PERFECT, NOW CHANGE

Saturday, February 21st, 2026


Joe Di Pietro and Jimmy Roberts’ three-decades-old—but still delightfully relevant—smash off-Broadway musical I Love You, You’re Perfect, Now Change now gets a smashing 30th-anniversary revival at Long Beach’s International City Theatre
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SIX

Friday, February 20th, 2026


Never has a sextet of triple-threats delivered more 5-star Broadway pizzazz than the 6 wives of Henry VIII do in Six The Musical, now making its 2nd appearance at the Hollywood Pantages Theatre, back in 2026 for a must-see 3-week run.
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HERE LIES LOVE

Thursday, February 19th, 2026

Center Theatre Group’s sensationally designed and performed West Coast Premiere of Here Lies Love, aka the Imelda Marcos Disco Musical, has everything an entirely sung-through show ought to have except one vital element–songs you’d want to listen to a second time.

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AMADEUS

Tuesday, February 17th, 2026


Tony Award winner Jefferson Mays and West End/Bridgerton breakout star Sam Clemmett burn up the stage in what may well be the most sumptuous production in Pasadena Playhouse history in Darko Tresnjak’s stunning take on Peter Shaffer’s Amadeus.
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MAN OF LA MANCHA

Monday, February 16th, 2026


Career-best performances by Richard Bermudez and Monika Peña are just two of the reasons Musical Theatre West’s spectacular 60th-anniversary revival of the 1966 Best Musical Tony winner is a must-see.
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INCITATION TO THE DANCE

Monday, February 16th, 2026

An intriguing premise—sultry queer Millennial insinuates himself into the lives of a couple of gay married Boomers—falls flat in Theatre West’s overlong, overwrought, credibility-defying World Premiere melodrama Incitation to the Dance.
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SYLVIA SYLVIA SYLVIA

Saturday, February 14th, 2026

Haunted house stories can be both thrilling and entertaining. There is, unfortunately, little fun to be had inside the Beacon Hill apartment occupied by blocked, depressed writer Sally in the present day and in the 1950s by her more celebrated (albeit equally depressed) 20th-century counterpart in Sylvia Sylvia Sylvia, Beth Hyland’s downer of a World Premiere at Westwood’s Geffen Playhouse.

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