RULES OF SECONDS
Friday, March 31st, 2017
With Alexander Hamilton and Aaron Burr dueling it out eight times a week on Broadway, the timing could not be more auspicious for John Pollono’s audacious, irreverent, wholly original Rules Of Seconds, now playing at DTLA’s Los Angeles Theatre Center.
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BUILDING THE WALL
Tuesday, March 28th, 2017Donald Trump’s campaign promise to rid America of its millions upon millions of “illegal aliens” reaches extremes that would do a certain WWII dictator proud in Building The Wall, Robert Schenkkan’s ham-fisted “It darn well could happen here!” two-hander now getting the first of a series of rolling World Premieres at the usually laudable Fountain Theatre.
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LITTLE CHILDREN DREAM OF GOD
Tuesday, March 28th, 2017
Miami reality meets Haitian black magic in Jeff Augustin’s Little Children Dream Of God, a stunningly directed, designed, and performed Road Theatre Company West Coast Premiere.
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CAT’S PAW
Monday, March 27th, 2017
Suspense dramas don’t much more edge-of-your-seat nor subject matter more hot-button than William Mastrosimone’s 1986 eco-terrorism thriller Cat’s Paw, updated by the author in 2011, more relevant than ever in 2017, and the terrific latest from Actors Co-op.
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CAROUSEL
Sunday, March 26th, 2017
Anyone curious about why Time Magazine named Rodgers & Hammerstein’s Carousel the 20th Century’s Best Musical need look no further than Musical Theatre West’s superb 21st-Century revival. Director Joe Langworth, choreographer Daniel Smith, and an all-around brilliant cast give us a Carousel still “fresh and alive and gay and young,” even at seventy-two years of age.
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CAT ON A HOT TIN ROOF
Saturday, March 25th, 2017
Cameron Watson directs two equally sensational ensembles in Antaeus Theatre Company’s pitch-perfect intimate revival of Tennessee Williams’ Cat On A Hot Tin Roof, not only one of the finest productions now playing around town but (sound the trumpets!) the very first to grace the brand-spanking-new Kiki & David Gindler Performing Arts Center in Beautiful Downtown Glendale.
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LOVE ALLWAYS
Monday, March 20th, 2017Gloria Gifford directs half-a-hundred of her attractive young acting students in assorted scenes from five 1970s Renée Taylor-Joseph Bologna TV specials, compiled as Love Allways, a Los Angeles Premiere that proves a mixed bag of Love Boat-style winners, losers, and in-betweeners. The good news is that you’re never far from the next winner, including the show-opening “Herb, Erica, Stuart, & Joanne” and the evening’s grand finale “Tony & Madelaine” (assuming you attended the performance reviewed here).
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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