THE SEAGULL: MALIBU


Ellen Geer updates Anton Chekhov’s The Seagull from 1890s tsarist Russia to Malibu, California during the “It’s All About Me” 1970s, and the exhilarating result is The Seagull: Malibu, a romantic dramedy that’s both Chekhovian and Southern Californian, and a Summer Of 2025 treat no matter how you feel about Chekhov.
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ANTIGONE


Neil LaBute puts a 21st-century spin on French playwright Jean Anouilh’s 1944 adaptation of Sophocles’ classic Greek tragedy Antigone, itself a thinly veiled attack on the Nazi-allied Vichy government that controlled Paris during World War II, in the compelling, thought-provoking latest from City Garage.
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& JULIET


Romeo’s teenage bride gets a new lease on life in the West End-to-Broadway smash & Juliet, quite possibly the most hit-packed musical in Broadway history and one that now tops my list of favorite shows of the past ten years right up there with The Prom, Come From Away, and Dear Evan Hansen.
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TUNE IN

Playwright Carlos Lacámara tackles university politics, mental illness, psychedelic drug therapy, childhood trauma, and women in academia in the early 1960s, stirs in at least one soap opera-worthy plot twist, and garners more than a few laughs along the way in Tune In, another fabulous Theatre Of NOTE World Premiere.

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STRIFE


The rich get richer and the poor get poorer in Strife, John Galsworthy’s more-relevant-than-ever look at the darker side of HBO’s The Gilded Age.
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SOMETHING ROTTEN


Torrance Theatre Company has done it again, delivering a big-stage, big-cast, big-orchestra summer musical so professionally staged and performed, you just might find yourself thinking you’re seeing the 2015 Broadway hit Something Rotten being performed at one of our major SoCal regional theaters.
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GLORY DAYS


Four high school besties discover that life after graduation isn’t all it’s cracked up to be in Nick Blaemire and James Gardiner’s engaging slice-of-teen-life musical Glory Days, a terrific (and terrifically entertaining) talent showcase for a quartet of up-and-coming triple threats at the Broadwater Black Box Theatre.
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THE FANTASTICKS

The ups and downs of first love are explored to engaging, tuneful effect in the Ruskin Group Theatre’s 65th-anniversary revival of Tom Jones and Harvey Schmidt’s The Fantasticks, though for me at least, the world’s longest-running musical begins somewhat to outstay its welcome at around the two-hour point.

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