FLASHES OF LIGHT

It takes chutzpah to juxtapose Greek mythology with 20th-century American history, but this is precisely what the creators of the tuneful World Premiere musical Flashes Of Light have done on the Sierra Madre Playhouse stage, albeit more successfully in the show’s delightful first act than in its more far-out second half.
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THE CHINESE LADY


A largely forgotten figure in Asian-American history is resurrected to indelible life by a stunning Michelle Krusiec in Chance Theater’s gorgeously staged regional premiere of Lloyd Suh’s critically-acclaimed off-Broadway hit The Chinese Lady.
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RODGERS + HAMMERSTEIN’S CINDERELLA


Delightful performances, clever direction, and Douglas Carter Beane’s fresh new book are three big reasons why Wisteria Theater’s scaled-down take on the 2013 Broadway revival of the 1950s live TV classic known as Rodgers & Hammerstein’s Cinderella makes it four winners in a row for the new North Hollywood company.
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A DOLL’S HOUSE, PART 2


It’s a whole new A Doll’s House, Part 2 at the Pasadena Playhouse with director Jennifer Chang and an ab-fab foursome of TV/stage stars bringing to scintillating life comedic elements left mostly unexplored in the two previous productions I’ve seen of Lucas Hnath’s 2017 Broadway hit.
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BECKY’S NEW CAR


Great play. Great direction. Great cast. Great design. Theatre 40’s intimate revival of Becky’s New Car, Steven Dietz’s unorthodox look at marital devotion and extramarital hanky-panky has everything it takes to make it one of Theatre 40’s most all-around fabulous productions in years.
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HIDE & HIDE


The American Dream ends up little more than an urban legend for the two star-crossed protagonists of Roger Q. Mason’s compelling, heart-rending two-hander Hide & Hide, a sensationally acted, directed, and designed Skylight Theater World Premiere.
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CALIFORNIA STORY

There may be times when, as the saying goes, two much is indeed not enough, but in the case of Roger Q. Mason’s audacious but overly ambitious, overlong California Story, too much is just that. Too much.
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THE HOMECOMING


An outsider’s arrival upsets the delicate balance that has until now preserved the status quo inside a vipers’ nest of a family home in Harold Pinter’s 20th-century classic The Homecoming, the provocative latest from City Garage.
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