GULF VIEW DRIVE

Rubicon Theatre Company treats Ventura audiences—and anyone else in search of a delightful, nostalgic, emotionally potent trip back to the Eisenhower ‘50s—to Gulf View Drive, the third and final installment of Arlene Hutton’s Ovation Award-winning Nibroc Trilogy.
(read more)

WHITE GUY ON THE BUS

With racism once again being given permission to rear its hideous head in today’s post-Obama America, the time could not be riper for Bruce Graham’s riveting, conversation-provoking White Guy On The Bus to make its Los Angeles debut at The Road On Magnolia.
(read more)

13 THINGS ABOUT ED CARPOLOTTI

Septuagenarian widow Virginia Carpolotti hums whenever she’s got reason to worry, and she’s got plenty of reason to whistle—and with Emmy-winner Penny Fuller playing her, audiences have plenty of reason to cheer—in the delightful, tuneful 13 Things About Ed Carpolotti, 70-minutes of one-woman musical theater showmanship at The Broad Stage.
(read more)

THE FOUND DOG RIBBON DANCE

Only the lonely populate The Found Dog Ribbon Dance, but don’t let that fool you into thinking that Dominic Finocchiaro’s wondrous World Premiere is anywhere near a downer. On the contrary, the latest from Echo Theater Company is precisely the kind of play you’ll want to tell all your romcom-loving friends (and just about anyone else in search of smart, funny, heartstrings-tugging, feel-good new theater) not to miss.
(read more)

DISNEY BEAUTY AND THE BEAST

Following a string of winners, most recently a heavenly Sister Act and an absolutely fabulous La Cage Aux Folles, Candlelight Pavilion Dinner Theatre opens the new year with a disappointing, albeit still largely entertaining, Disney Beauty And The Beast.
(read more)

THE LAST FIVE YEARS

Star-crossed Jamie Wellerstein and Cathy Hiatt fall in and out of love once more in McCoy Rigby Entertainment’s exceptional revival of Jason Robert Brown’s exquisite The Last Five Years, now thrilling audiences at the La Mirada Theatre For The Performing Arts.
(read more)

LATE COMPANY

Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
(read more)

COMPANY

The all-student talent of USC’s Musical Theatre Repertory rises to the many challenges of Stephen Sondheim and George Furth’s Company—and then some—in an intimate staging that stands out as one of the finest of the eighteen MTR productions I’ve reviewed over the past nine years.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »