LIFE COULD BE A DREAM

Doo Wop harmonies reign supreme out Long Beach way as International Theatre takes audiences on a tuneful trip down memory lane in Life Could Be A Dream, two delightful hours of late-1950s/early ‘60s nostalgia from Roger Bean.
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HIR

There are dysfunctional family comedies … and then there’s Taylor Mac’s Hir, a dysfunctional family comedy that takes the genre to such extremes that not everyone will make it past intermission. I, on the other hand, relished every twisted second of this Odyssey Theatre Ensemble Los Angeles Premiere.
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LIZZIE

You’ve seen the movies and read the biographies (or at the very least, you’ve heard the rhyme). Now, wielding her axe to a punk rock beat, LIZZIE ignites the Chance Theater stage like it’s never been ignited before.
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A GENTLEMAN’S GUIDE TO LOVE AND MURDER

A Gentleman’s Guide To Love And Murder, the homicidally hilarious quadruple-Tony-winning Best Musical of 2014, now fills the Cerritos Center For The Performing Arts with murderous mirth as the latest Broadway-caliber regional premiere from 3-D Theatricals.
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BORN TO WIN

Little Miss Sunshine hopefuls could learn a thing or two from the Texas-based partners (business and otherwise) who coach preschool pixies to beauty pageant stardom in Matthew Wilkas and Mark Setlock’s Born To Win, the outrageously funny latest from Celebration Theatre.
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LIGHTS OUT: NAT “KING” COLE

The impending live broadcast of the 42nd and final episode of network TV’s first black-hosted variety show becomes an existential nightmare for its celebrated star in Colman Domingo and Patricia McGregor’s Lights Out: Nat “King” Cole, a Geffen Playhouse West Coast premiere not without its problems but one well worth catching, and not just for the drama-song-and-dance showcase it provides its triple-threat star Dulé Hill.
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WITNESS UGANDA

A gay black NYU student heads off to Africa to help build a school only to come back transformed for life in Witness Uganda, Matt Gould and Griffin Matthews’ off-Broadway “Documentary Musical” thrillingly performed and excitingly restaged for L.A. audiences at Beverly Hills’ Wallis Annenberg Center For The Performing Arts.
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RAGTIME

A nation where the rich get richer, the poor get poorer, and immigrants are told to get out and stay out. Ragtime may take place a century ago, but the epic 1998 Broadway musical has never been more relevant than it is today, and thanks to director David Lee and a glorious cast and design team, its 2019 Pasadena Playhouse revival blows the seven other Ragtimes this reviewer has seen out of the water, and then some.
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