SKELETON CREW

If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.

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PLUNGE


Long-buried secrets of power, passion, and perversion propel Plunge, the first installment of Tom Jacobson’s concurrently running Bimini Baths Trilogy, as provocative a World Premiere play as you’re likely to experience any time soon.
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CLYBOURNE PARK

White flight circa 1959 and urban gentrification five decades later fuel Bruce Norris’s button-pushing, political-correctness-be-damned comedy Clybourne Park, winner of both the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play, the finest production I’ve seen at Laguna Playhouse and one of the year’s very best.
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TAR

L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
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AN EVENING OF BETRAYAL

Harold Pinter’s backwards-moving Betrayal and an abridged Othello told from finish to start add up to An Evening Of Betrayal that proves one of late spring’s most exciting theatrical surprises.
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AS WE BABBLE ON

Millennials get their turn in the East West Players spotlight in Nathan Ramos’s World Premiere comedy As We Babble On, a crowd-pleasing Asian-American take on Friends with more than just laughter on its mind.
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WITH LOVE, MARILYN

Marilyn Monroe is crossing the country to tell her rags-to-riches, obscurity-to-stardom life story in song, and since it’s triple-threat blonde bombshell Erin Sullivan doing the telling and the singing, With Love, Marilyn makes for a fabulously performed trip down memory lane.
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DO RE MI

It’s precisely for shows like Do Re Mi that Musical Theatre West’s Reiner Reading Series was created, Broadway chestnuts that for one reason or another have faded from memory despite Tony recognition and decent runs, and with Daniel Smith directing a crème-de-la-crème cast at Long Beach’s Beverly O’Neill Theatre, Do Re Mi’s one-night-only concert staged reading provided more than a few delights.
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