SKELETON CREW
Friday, June 15th, 2018If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.
PLUNGE
Wednesday, June 13th, 2018
Long-buried secrets of power, passion, and perversion propel Plunge, the first installment of Tom Jacobson’s concurrently running Bimini Baths Trilogy, as provocative a World Premiere play as you’re likely to experience any time soon.
(read more)
CLYBOURNE PARK
Monday, June 11th, 2018White flight circa 1959 and urban gentrification five decades later fuel Bruce Norris’s button-pushing, political-correctness-be-damned comedy Clybourne Park, winner of both the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play, the finest production I’ve seen at Laguna Playhouse and one of the year’s very best.
(read more)
TAR
Sunday, June 10th, 2018L.A.’s fabled Bimini Hot Springs and Sanitarium (1903-1956) provide the backdrop for Tom Jacobson’s The Ballad of Bimini Baths trilogy, the prolific Angelino playwright’s most ambitious project to date, and if the Playwrights’ Arena World Premiere Tar is any indication of what Plunge and Mexican Day hold in store, audiences are in for an exhilarating, elucidating three-part treat.
(read more)
AN EVENING OF BETRAYAL
Saturday, June 9th, 2018Harold Pinter’s backwards-moving Betrayal and an abridged Othello told from finish to start add up to An Evening Of Betrayal that proves one of late spring’s most exciting theatrical surprises.
(read more)
AS WE BABBLE ON
Thursday, June 7th, 2018Millennials get their turn in the East West Players spotlight in Nathan Ramos’s World Premiere comedy As We Babble On, a crowd-pleasing Asian-American take on Friends with more than just laughter on its mind.
(read more)
DO RE MI
Monday, June 4th, 2018It’s precisely for shows like Do Re Mi that Musical Theatre West’s Reiner Reading Series was created, Broadway chestnuts that for one reason or another have faded from memory despite Tony recognition and decent runs, and with Daniel Smith directing a crème-de-la-crème cast at Long Beach’s Beverly O’Neill Theatre, Do Re Mi’s one-night-only concert staged reading provided more than a few delights.
(read more)