LITTLE SHOP OF HORRORS

Iconic roles reinvented by a supremely stellar cast and a production design that’s nothing short of original make Pasadena Playhouse’s powerhouse Little Shop Of Horrors unlike any Little Shop you’ve ever seen.
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LAS MUJERES DEL MAR

Playwrights’ Arena closes its all-around terrific 2019 season with Las Mujeres Del Mar (The Women Of The Sea), Janine Salinas Schoenberg’s 3-generation, 2-country, 72-minute Mexican-American family saga told from a female point of view.
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BARNUM

Seven stellar triple-threat featured performers and some particularly ingenious directorial touches made Musical Theatre Guild’s one-night-only concert staged reading of the 1980 Broadway hit Barnum worth seeing despite a title performance not up to MTG standards.
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GRUMPY OLD MEN THE MUSICAL

No matter your mood upon arrival, expect to exit the La Mirada Theatre For The Performing Arts with the broadest of smiles on your face when you see the feel-good musical that’s been made from the Jack Lemmon-Walter Matthau movie smash Grumpy Old Men.
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THE SPANISH PRAYER BOOK

The Road Theatre’s three-year streak of winners ends with Angela J. Davis’s convoluted, uninvolving The Spanish Prayer Book, the company’s 2019-2020 World Premiere season opener.
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FUN HOME

Inland Valley Repertory Theatre took its subscribers and donors on a memorable three-performance-only journey back to the 1970s and ’80s with Alison Bechdel’s graphic memoir-turned-Tony-winning musical Fun Home, a young lesbian’s coming of age, coming out, and coming to grips with love and loss.
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AMERICAN MARIACHI

I dare you not to fall for South Coast Repertory’s American Mariachi, the crowd-pleasingest season opener any major American regional theater could wish for.
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DEADLY

The Demon Doctor of West 63rd Street is bumping off victim after victim at the Broadwater Theatre in Vanessa Claire Stewart and Ryan Thomas Johnson’s deliciously horrorific Deadly, or as I like to call it, Murder Castle, the H.H. Holmes Musical.
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