BLANK


If it takes guts merely for an actor to stand up in front of an audience and play a role, imagine how much more courage is required when there’s no one else on stage to be his safety net—and the role that he’s playing is himself.
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SHAHEED: THE DREAM AND DEATH OF BENAZIR BHUTTO


Say the name Benazir Bhutto to a cross-section of Pakistanis and you’ll probably get as many different points of view as those expressed by the characters who people Anna Khaja’s Shaheed: The Dream And Death Of Benazir Bhutto.
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LENNY BRUCE IS BACK (AND BOY IS HE PISSED)


Ask most people about Lenny Bruce and the first words that pop into their heads might be “comedian,” “arrested,” and “obscenity.”  That and maybe “died young” and “drug overdose.”
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BECOMING BUTCH


Some people dream of becoming rich, others of becoming famous, but as a child growing up in Queens, New York, young Vincent James Arcuri dreamed of becoming butch, or so we learn in Becoming Butch, Arcuri’s delightful, captivating, and ultimately inspiring one-man performance, continuing its midweek run at the Celebration Theatre over the next two Tuesdays.
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FULLY COMMITTED


If you haven’t heard that one before, Sam Peliczowski probably has.  Sam is, you see, a struggling New York-based actor with the worst restaurant job in the Big Apple. Stuck deep down in a tiny basement cell, Sam is the reservations clerk for one of the city’s most shi-shi établissements.  No chance for Sam to be seen by directors, producers, casting people.  No chance for him to meet women (or men, if he happens to swing that way). No chance to get even the measliest of tips.
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HERSHEY FELDER AS GEORGE GERSHWIN ALONE


Every so often, a performer creates a theater genre or role which pretty much guarantees him or herself a potentially endless future on stage. Jaston Williams and Joe Sears have done so with their Greater Tuna roles.  Marypat Donovan has too with her Late Nite Catechism series. Add to that list Hershey Felder.
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THE SANTALAND DIARIES


For any December theatergoer who’s ever said, “Not another Christmas Carol!”, The Blank Theatre offers the perfect holiday solution—Nicholas Brendon in David Sedaris’s The SantaLand Diaries, the true story of Sedaris’s humiliating but hilarious-in-retrospect stint as a Christmas elf at New York City Macy’s “SantaLand.”
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MISSIONARY POSITION

RECOMMENDED
Mormon Boy Steven Fales recalls his two-year stint as missionary in Portugal in Missionary Position, a sort of prequel to Fales’ alternately captivating and compelling solo piece Confessions Of A Mormon Boy, which like its processor proves a terrific showcase for its writer-star’s triple-threat talents as actor, storyteller, and showman.
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