DAVID DEAN BOTTRELL MAKES LOVE: A ONE-MAN SHOW


As a boy growing up in a state whose motto is “If you can catch it, you can fuck it,” young David Dean Bottrell probably never dreamed that he would one day become a successful actor, comedian and screenwriter, pen a monthly column for MetroSource Magazine and write for the Huffington Post, win seventeen awards for his short film Available Men, be one of the stars of the L.A. stage smash Streep Tease, or direct the current Colony Theatre hit Travels With My Aunt. And even if he had dreamed this impossible dream, he probably never would have imagined that just talking about his life on a nearly bare stage would turn into one of Summer 2011’s hottest tickets.
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DONNA/MADONNA


Growing up in Scranton, Pennsylvania in the 1980s, John Paul Karliak always knew he was adopted. What he didn’t figure out until a good deal later was that there wouldn’t be a Mrs. Karliak in his future, if you get my drift. Still, despite young J.P.’s cluelessness to his budding sexual orientation, it must have been hard for his family to mistake the signs: An occasional dress. A running gait like Tinkerbell’s. The ability to quote Auntie Mame as if it were the Bible.
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NO WORD IN GUYANESE FOR ME


Anna Khaja returns to the stage in Wendy Graf’s powerful solo piece No Word In Guyanese For Me, the recent Ovation-award winner bringing to vivid life a young Guyanese who discovers after her family’s move to New York City that she is a lesbian—and that there is no word in her native language for the person she is.
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JAMAICA, FAREWELL


Check the local theater listings and it seems at times that every performer has an autobiographical solo show up his or her sleeve. Few solo shows, however, ever achieve the success of Debra Ehrhardt’s Jamaica, Farewell, with Rita Wilson (aka Mrs. Tom Hanks) as its above-the-title producer and Joel Zwick, the director of My Big Fat Greek Wedding and every single Hershey Felder one-man-show, at its helm.
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…AND THEN I WROTE A SONG ABOUT IT


Triple threat Nick Cearley dazzles as quadruple threat “Randall Klausner” in the thoroughly marvelous …And Then I Wrote A Song About It, directed to perfection by Igor Goldin at San Diego’s Diversionary Theatre.
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MATT BECOMES A MAN


Many an actor has a tale to tell, and a goodly number of them have turned their stories into solo performances, most of which end up acts of shameless self-promotion. Well, perhaps that’s a bit of an overstatement, and one unbecoming a website which prides itself on “accentuating the positive in Los Angeles theater.” Still, there is some truth to this exaggeration, which is why when I tell you that I loved every minute of Matt McConkey’s Matt Becomes A Man, it is a statement to be taken seriously. The Scenie-Winning star of last year’s The Boys In The Band not only has a story worth telling, it’s also a story worth taking center stage with, as the handsome, talented, ingratiating, and very funny young actor does in his absolutely captivating hour of self-discovery.
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SANTA CLAUS IS COMING OUT


Santa Claus Is Coming Out this Christmas in Jeffrey Solomon’s hilarious, beautifully acted solo-mock-u-mentary now playing at San Diego’s Diversionary Theatre.
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MAESTRO: THE ART OF LEONARD BERNSTEIN

RECOMMENDED
Hershey Felder, the award-winning creator of George Gershwin Alone, Monsieur Chopin, and Beethoven, As I Knew Him, now returns with Maestro: The Art Of Leonard Bernstein.

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