GUYS AND DOLLS


Damon Runyon’s picturesque band of New York denizens continue to delight audiences almost seventy-five years after their Broadway debut in Altadena Music Theatre’s lively outdoor revival of the 1950 Broadway classic Guys And Dolls.
(read more)

THE SKIN OF OUR TEETH


It’s hard to imagine a finer revival of Thornton Wilder’s 20th-century American classic The Skin Of Our Teeth than the one now enrapturing audiences at A Noise Within.
(read more)

CYRANO DE BERGERAC


The translation’s the thing, but far from the only thing that makes Pasadena Playhouse’s dazzling staging of Martin Crimp’s “free adaptation” of Edmond Rostand’s French classic Cyrano de Bergerac the latest Pasadena Playhouse winner.
(read more)

THE 39 STEPS


South Pasadena Theatre Workshop treats audiences to 75 minutes of virtually nonstop laughter in their somewhat abridged take on Patrick Barlow’s masterful four-actor stage adaptation of Alfred Hitchcock’s movie version of John Buchan’s spy classic The 39 Steps.
(read more)

HAY FEVER


A weekend in the country has rarely proven as delightfully, deliciously madcap as the one L.A. theatergoers can now spend with the ever so eccentric Bliss family in South Pasadena Theatre Workshop’s ever so effervescent revival of Noël Coward’s 1924 comedic gem Hay Fever.
(read more)

JELLY’S LAST JAM


A year after its record-breaking Sondheim Celebration, Pasadena Playhouse gives Jelly Roll’s Jam as spectacularly staged and phenomenally performed a 33rd-anniversary revival as any lover of rarely produced musicals could wish for.
(read more)

MISALLIANCE


George Bernard Shaw fans won’t find a more sparklingly performed or exquisitely designed production of Misalliance than the one now playing at A Noise Within, and even if like me you find Shaw plays overly long and talky, this one’s suddenly zippy second act will have you singing its praises.
(read more)

ONE OF THE GOOD ONES


Fireworks ignite when a well-to-do Hispanic-American couple’s 22-year-old daughter brings home the man of her dreams in Gloria Calderón Kellett’s One Of The Good Ones, a laugh-packed, conversation-starting 21st-century Guess Who’s Coming To Dinner now getting the classiest and crowd-pleasingest of World Premieres at the Pasadena Playhouse.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »