COME BACK, LITTLE SHEBA

A gripping slice of contemporary Midwest life when it made its 1950 Broadway debut, William Inge’s Come Back, Little Sheba has now become a compelling period piece … and a superb 21st Century revival at A Noise Within.
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EVERYTHING YOU TOUCH

There’s no L.A. theater quite like The Theatre @ Boston Court for challenging audiences with plays that can, when things go as right as they do in Sheila Callaghan’s initially mystifying Everything You Touch, both stimulate the brain cells and touch the heart.
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A SONG AT TWILIGHT

Plus ça change, plus c’est la même chose.

21st Century society may have progressed considerably since the mid-1960s when Noël Coward wrote and starred in A Song At Twilight, but a cursory glance at today’s Hollywood makes it clear that even a half-century-old play can express contemporary truths, particularly when revived as splendidly as is the case this month and next at the Pasadena Playhouse.
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TARTUFFE

RECOMMENDED
A Noise Within opens its Spring 2014 season with the classical theater company’s own distinctive take on Molière’s classic French farce Tartuffe*, and though not the inspired revival audiences were treated to in Pericles, Cymbeline, and The Beaux Stratgem, this entertaining if at times overly dark production does at the very least make relevant points about the hypocrisy, greed, and corruption of (at least certain members of) the clergy.
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ABOVE THE FOLD


Three white North Carolina college frat boys accused of gang-raping an African-American stripper provide the incendiary framework for Above The Fold, Bernard Weinraub’s bracingly acidic look at politics circa 2014, race relations in today’s South, and print journalism in an increasingly cyber age—the World Premiere latest from the Pasadena Playhouse.
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ALADDIN AND HIS WINTER WISH


The musical theater genre known as Panto may have been born in the United Kingdom, but with Lythgoe Family Productions now giving Los Angeles audiences their fourth annual December taste of it with this year’s Aladdin And His Winter Wish, this distinctively English form of musical entertainment has clearly found its home away from home in sunny Southern California, this year for the second time at the Pasadena Playhouse.
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A CHRISTMAS CAROL


A virtual Who’s Who of veteran A Noise Within resident artists join forces with a sensational design team under the inspired direction of Geoff Elliott and Julia Rodriguez-Elliott to bring audiences ANW’s first production of Charles Dickens’ A Christmas Carol in a baker’s dozen years.
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A PERFECT LIKENESS

RECOMMENDED
Writer-director Daniel Rover Singer imagines a ninety-minute meeting between Charles Dickens and Lewis Carroll in the World Premiere of A Perfect Likeness, now playing at South Pasadena’s Fremont Centre Theatre, and despite bravura performances by Bruce Ladd and Daniel J. Roberts, I must confess to having found Singer’s play rather too talky for my tastes and not nearly as appealing and engaging as its unanimous rave reviews had led me to expect.
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