WEST SIDE STORY
Thursday, February 21st, 2008
As I sat watching West Side Story last night, amazingly my first time ever at a
professional stage production of this musical theater classic, I couldn’t help
thinking about what Broadway audiences must have felt as they first
discovered it back in 1957. This was, after all, a Broadway whose most recent
Tony-winners were My Fair Lady, Damn Yankees, and The Pajama Game.
What must audiences who were accustomed to this fun and sunny fare have
thought about a show where the leading man and leading lady didn’t have
the proverbial happy ending, and whose characters lived dismal lives in the
worst parts of Manhattan and hated anyone whose differences threatened
their go-nowhere existences?
(read more)
THE IMPORTANCE OF BEING EARNEST
Sunday, February 17th, 2008
South Coast Rep’s revival of Oscar Wilde’s The Importance Of Being Earnest is
a production full of color, imagination, and panache. (Note: For those in need
of a summary of the oft performed comedy of manners, click here for a
Wikipedia synopsis.) Director Warner Shook’s original vision for Earnest is evident
from the moment the audience first sets sight on Michael Olich’s gorgeous non-
literal set design. The Segerstrom Stage is ablaze with rich blue-greens and
reds, colorful Persian rugs, a handsomely brocaded divan and armchair, and a
leopard rug center stage, head intact, and not a wall in sight. Nephelie
Andoyadis’s costumes are the epitome of elegance, and match the set’s color
scheme, which by the way changes for each of the play’s three acts.
(read more)
TALK ABOUT THE PASSION
Sunday, February 10th, 2008RECOMMENDED
An unshaven, disheveled young man carrying a backpack arrives at the office
of book editor Evelyn Ayles, who is seated at her desk. Too busy (or too above
it all) to even look the man in the eye, Evelyn simply points to a chair and keeps
on talking on the phone as if he were not present. Finally she tells him (still not
making eye contact), “You’ve wasted your time coming here today,” and
tosses back the “clichéd” manuscript he has sent to her, then returns to
ignoring him. The man persists, “This is my life, and you call it a cliché!” And
then, before Evelyn even has a chance to see what he’s doing, the young
man removes a plastic strip from his pocket and locks her into her own office.
“You’re not going anywhere until we can talk,” he declares. “I want to talk to
you about my son.”
(read more)
ASSASSINS
Sunday, February 10th, 2008
If by some chance you’ve never seen or heard of Stephen Sondheim and John
Weidman’s Assassins, here’s what it’s about, in brief:
It’s about eight men and women who either assassinated, or attempted to
assassinate, a United States President.
Not your usual bill of fare for a musical, is it?
(read more)
A FEMININE ENDING
Saturday, January 12th, 2008
Amanda is a 25-year-old oboist and aspiring symphonic composer, though these
days she’s settled for a mundane job writing jingles that are deliberately
annoying because those are the kind that stick in your head. The oboe, she tells
us in one of her many asides to the audience, is “the Hamlet of musical
instruments.” If played poorly it sounds like a dying duck. If played well, it is the
instrument which best approximates the human voice. It is the oboe which
tunes the entire orchestra, Amanda informs us.
(read more)
A CHRISTMAS CAROL
Sunday, December 2nd, 2007
As many times as I’ve seen Charles Dickens’ A Christmas Carol on TV, I don’t think
I’ve ever attended a major professional theatrical production, so I didn’t want to
pass up the chance to see South Coast Rep’s 28th annual production of the
Christmas classic.
What a treat it was!
(read more)
VARIATIONS ON A THEME: THE BEST
Sunday, November 25th, 2007The Chance Theatre threw a block party in June and two hundred people
attended. After seven hours of “boisterous fun” and interaction, 100 short
plays were submitted to the Chance, all based on the theme “The Best.” Of
the initial 100, 6 were eventually chosen to make up an evening of theater
entitled Variations on a Theme: The Best.
(read more)
ANNE OF GREEN GABLES: THE MUSICAL
Sunday, November 25th, 2007
Young girls in Orange County will love The Chance Theatre’s production of Anne
of Green Gables: The Musical. Based on the first and most famous of Lucy Maud
Montgomery’s eight Anne Shirley books, this adaptation by Joseph Robinette and
Evelyn D. Swenson adds songs to what has already been a 1919 silent movie, a
1934 Hollywood film (starring interestingly enough Anne Shirley), a 1956 TV
production, a British mini-series in 1972, a four-hour TV movie in 1985 which
spawned two sequels, and even a Japanese anime series. (And who knows how
many other versions are out there?)
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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