RABBIT HOLE
Sunday, May 18th, 2008
David Lindsay-Abaire’s Rabbit Hole, winner of the 2007 Pulitzer Prize for Drama, is making its Orange County debut in an absolutely brilliant production by the award-winning Chance Theater. Spoilers abound in this review, so if you know nothing about Rabbit Hole’s plot, read no further. Simply pick up the phone or go online and make a reservation to see it. Rabbit Hole is the kind of play where the less you know about it, the more it will affect you, and affect you it will … deeply.
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THE BRAIN FROM PLANET X
Sunday, May 18th, 2008
If you’ve ever groaned through a 1950s Grade Z Hollywood sci fi flick, you are sure to enjoy Bruce Kimmel’s musical comedy spoof The Brain From Planet X.
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OLIVER
Saturday, May 10th, 2008
Two decades before the British invasion of the 1980s, which transformed Broadway into an American “West End” with shows like Cats, Les Miz, Phantom, and Miss Saigon, a triple-threat British writer/composer/lyricist named Lionel Bart created a musical which may well outlive all of the above, a show by the name of Oliver.
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THE INJURED PARTY
Sunday, April 27th, 2008
South Coast Repertory has a bonafide hit on its hands. Richard Greenberg’s latest, The Injured Party, is one of the most exciting plays I’ve seen since John Guare’s Six Degrees Of Separation, a work which it shares a number of common themes with. Both deal with family, love, art, money and ambition among New York’s very rich. Both are exceedingly smart without being pretentious. Like Six Degrees, The Injured Party features a gay lead character whose sexual orientation is not central to the story. Both plays keep you riveted from curtain up to curtain calls.
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WHAT THEY HAVE
Sunday, April 13th, 2008
Thousands upon thousands of actors choose Los Angeles as their career base for the obvious reason; no other city offers them as many opportunities to do film and television work as L.A. does. Nevertheless, even many of the most successful choose to make regular stage appearances for the challenge and joy of performing before a live audience. The same holds true for movie and TV writers who, despite big and small screen success, continue to write for the theater, to the benefit of L.A. audiences.
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THE WILD PARTY
Friday, April 4th, 2008
Tell a musical theater aficionado that you’re going to see The Wild Party and the first question you’ll be asked is “Which one?” Will it be the 2000 Broadway show with music and lyrics by Michael John LaChiusa, or will it be the 2000 off- Broadway version with music and lyrics by Andrew Lippa?
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WEST SIDE STORY
Thursday, February 21st, 2008
As I sat watching West Side Story last night, amazingly my first time ever at a
professional stage production of this musical theater classic, I couldn’t help
thinking about what Broadway audiences must have felt as they first
discovered it back in 1957. This was, after all, a Broadway whose most recent
Tony-winners were My Fair Lady, Damn Yankees, and The Pajama Game.
What must audiences who were accustomed to this fun and sunny fare have
thought about a show where the leading man and leading lady didn’t have
the proverbial happy ending, and whose characters lived dismal lives in the
worst parts of Manhattan and hated anyone whose differences threatened
their go-nowhere existences?
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THE IMPORTANCE OF BEING EARNEST
Sunday, February 17th, 2008
South Coast Rep’s revival of Oscar Wilde’s The Importance Of Being Earnest is
a production full of color, imagination, and panache. (Note: For those in need
of a summary of the oft performed comedy of manners, click here for a
Wikipedia synopsis.) Director Warner Shook’s original vision for Earnest is evident
from the moment the audience first sets sight on Michael Olich’s gorgeous non-
literal set design. The Segerstrom Stage is ablaze with rich blue-greens and
reds, colorful Persian rugs, a handsomely brocaded divan and armchair, and a
leopard rug center stage, head intact, and not a wall in sight. Nephelie
Andoyadis’s costumes are the epitome of elegance, and match the set’s color
scheme, which by the way changes for each of the play’s three acts.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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