HAIR


It was mid-1968. LBJ was still President, with Richard Nixon’s election and seven more years of war in Vietnam yet to come.  Already, though, there were “tribes” of young people in their teens and twenties whose dissatisfaction with an America riddled with racism, poverty, sexism, sexual repression, and political corruption led them to create the hippie movement of the 60s.  More than anything else, though, these “new American patriots,” as they saw themselves, were in revolt against a war they believed to be unjust, unnecessary, and un-American.
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THE LAST FIVE YEARS


One of the best things about live theater is being able to see favorite plays and musicals revived with new actors tackling iconic roles, new directors putting their stamp on familiar material, and new design teams giving old shows new looks. This rarely happens in movies and TV, where the word remake is often synonymous with “Sacrilege!” 
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AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF


The Laguna Playhouse serves up a tangy comedic soufflé in the West Coast Premiere of An Empty Plate In The Café Du Grand Boeuf—with a surprise “be careful what you wish for” dénouement worthy of O Henry.
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THE BRAND NEW KID


Don’t let the words Theatre For Young Audiences fool you.  South Coast Repertory’s TYA productions are treats for theatergoers of all ages. True, most audience members over the age of 12 are probably there as chaperones, but fear not.  In terms of on-and-offstage talent, these shows can’t be beat, and even adults who cringe at the idea of seeing anything G-rated will likely have a great time, with or without kids in tow.
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COLLECTED STORIES


The mentor-pupil relationship of an acclaimed author of short stories and her most promising student is charted over a period of six years in Donald Margulies’ compelling drama Collected Stories.  Now returning with its original star to South Coast Repertory (where it had its world premiere in 1996), this much awaited revival proves a sterling example of big-stage professional theater at its best. 
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THE KING AND I


When you’ve seen a musical theater classic like Rodgers and Hammerstein’s The King And I as many times as I have, the excitement of each new production (besides the pleasure of revisiting an old favorite) is seeing new performers, directors, choreographers, musical directors, and designers put their own stamp on it.
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THE GIRL, THE GROUCH, AND THE GOAT


The Chance Theater scores a real coup in presenting the West Coast Premiere and first professional production of the latest musical by Mark Hollmann, the Tony-winning composer/co-lyricist of Urinetown.  (I guess this means that it could well be billed as the show’s Professional World Premiere.)  The musical is The Girl, The Grouch, And The Goat, and if Urinetown’s Little Sally had issues with the title of her musical, imagine what she’d have to say about this new mouthful of a title. Then again, this is indeed the story of a girl (named Myrrhine), a grouch (named Clemnon), and a goat (who remains nameless).
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OUR MOTHER’S BRIEF AFFAIR

RECOMMENDED
Seth and Abby are adult twins whose mother has kept a secret from them most of their lives. When the two siblings were in their early teens, Anna had a brief affair.  It’s only now, with the twins entering their forties, that the truth has come out.  Or is it the truth? Anna is an Alzheimer’s patient, and the tale she tells may be actual memory, or imagination, or a combination of both.
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