SOUTHERN BAPTIST SISSIES

RECOMMENDED
Growing up Southern Baptist is no piece of cake for the four title characters in Southern Baptist Sissies, the fifth production of Theatre Out’s 2010 season.
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IN THE HEIGHTS

When West Side Story premiered on Broadway in 1957, one might have assumed that sometime over the following half century, another hit Broadway musical would center on Latino life in New York City, or on Latino life anywhere for that matter. It would, after all, make sense for a musical as revolutionary as West Side Story to engender others that followed its ground-breaking example, right?
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RING OF FIRE


Johnny Cash fans will be in country music heaven through August 1 as FCLO Music Theatre present Ring Of Fire: The Music Of Johnny Cash. Correction: make that music fans, pure and simple.  Singer-songwriter-icon Johnny Cash transcended easy classification, blending rock and roll, rockabilly, folk, and gospel, making this production a musical event of the first order.
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LIFE COULD BE A DREAM


When Roger Bean’s Life Could Be A Dream opened at Los Angeles’s 99-seat Hudson Theatre last summer, I wrote, “Don’t be surprised if the show is still running a year from now. Rave reviews and enthusiastic word-of-mouth should guarantee full houses and standing ovations for months to come.” 
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HELLO, DOLLY!


When was the last time you saw a production of Hello, Dolly!?
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THE WHO’S TOMMY


The Chance Theater tackles its most ambitious musical yet with The Who’s Tommy. Under Oanh Nguyen’s inspired direction, the resulting production is quite possibly the Chance’s most thrilling musical ever, topping even last year’s Hair for visual and audio excitement.  With state-of-the-art sound, lighting, and video design and a couldn’t-be-better cast, The Chance’s The Who’s Tommy (quite a mouthful) achieves the nearly impossible. It replicates the rock concert/rock theater experience in a 49-seat house.  Spectacle and intimacy in equal measure—I can’t recall another show quite like it.
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THE LAST FIVE YEARS


For Cathy, it’s the end of a relationship. For Jamie, it’s only the start.

Thus begins Jason Robert Brown’s The Last Five Years, a look at a marriage gone sour—from two points of view, moving two different directions in time.
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THE PRODUCERS

RECOMMENDED
They said it couldn’t be done. They said that there was no way a non-Equity company of performers could possibly stage Mel Brook’s multimillion-dollar Broadway smash The Producers on a tiny stage with a reduced company of actors and a fraction of the original production’s budget.
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