THE LAST FIVE YEARS


For Cathy, it’s the end of a relationship. For Jamie, it’s only the start.

Thus begins Jason Robert Brown’s The Last Five Years, a look at a marriage gone sour—from two points of view, moving two different directions in time.
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THE PRODUCERS

RECOMMENDED
They said it couldn’t be done. They said that there was no way a non-Equity company of performers could possibly stage Mel Brook’s multimillion-dollar Broadway smash The Producers on a tiny stage with a reduced company of actors and a fraction of the original production’s budget.
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ZANNA, DON’T!


“It’s seven a.m. on the dot, and a perfect sixty-eight degrees out there to start the school year off right,” announces DJ Tank on his morning show on WLUV, Heartsville High’s student-run station. “Just a reminder folks, Heartsville’s annual community picnic is this weekend. So, guys grab your guy and girls grab your girl and head on down to Lookout Lake.”
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THE WILD PARTY


Don’t expect to see Andrew Lippa’s The Wild Party on any of our CLO stages any time soon. The adults-only nature of the 2000 off-Broadway hit make it an unlikely choice for family-friendly subscription-based CLO seasons. That’s why UC Irvine’s current big-stage, live-orchestra production has real event status.  Unlike MTG’s memorable book-in-hand staged reading in 2004 or numerous fine intimate theater productions which have followed, UC Irvine’s staging is lushly staged and backed by a nine-piece pit orchestra.  That it also features a cast every bit as talented as those performing in professional productions around town makes it a must-see for Wild Party lovers and newbies alike.
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THE LION KING


The arrival of the Broadway National Tour of Disney’s The Lion King for a three-week engagement at the Orange County Performing Arts Center is something to roar about. It’s not every day that one of Broadway’s longest running hits (over 5000 performances and counting) arrives in town. It’s not every day that a show that filled Hollywood’s Pantages for over 950 performances back in 2000-2003 makes a return visit.  And don’t hold your breath waiting for some Southern California regional theater or CLO to put on their own production. With its humungous cast of fifty plus performers, over 200 puppets, and roles that require cast members portraying giraffes to saunter across the stageon four stilt legs, you can be darn sure that a big budget National Tour or sit-down production is the only way you’ll be able to see The Lion King … ever. Thus, although it’s not a case of now or never, it’s certainly now or a long time from now.  If ever a production could be called a must-see for musical theater lovers of any age, it’s the one playing at OCPAC.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE


A hit musical’s becoming available for production by regional theaters can be a bonanza for CLOs in search of something fresh and new. After all, how many times can a theater stage a Rodgers & Hammerstein show or one by Jerry Herman, Kander & Ebb, or Lerner & Loewe before audiences start begging for something different? At the same time, theater reviewers may suddenly find themselves invited to see the same new show again and again ad nauseum.  I don’t know how others feel about seeing The 25th Annual Putnam County Spelling Bee more than once, but for this reviewer at least, no matter how many Bees I’m invited to review, I simply “Cain’t Say No.”  I love The 25th Annual Putnam County Spelling Bee, and will jump at just about every chance to see a new group of actors put their own stamps on the sensational roles Rebecca Feldman has conceived for them.
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CRIMES OF THE HEART


Southern Quirky is a hard act to get right. There’s a tendency to overdo the Southern and overplay the Quirky that can turn characters into caricatures.
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EDWARD II


Who would have thought that a play written well over four hundred years ago by a contemporary of William Shakespeare would be in-your-face gay enough to make it an appropriate choice for an LGBT theater season?
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