I LOVED LUCY
Saturday, October 16th, 2010
There’s hardly an American of TV viewing age who hasn’t seen at least one episode of I Love Lucy, but only a comparative few can claim to have known its iconic star Lucille Ball, and of those, even fewer knew her as well as Lee Tannen, author of the affectionate memoir I Loved Lucy. Tannen’s popular book now makes a smooth and satisfying transition from the printed page to the legitimate stage in his play of the same name, currently in its World Premiere production at the Laguna Playhouse.
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BOYS WILL BE BOYS
Saturday, October 16th, 2010
Boys Will Be Boys is Naked Boys Singing with a cast about half the size (no pun intended), a girl among the boys—and not a trace of nudity. If that sounds not at all like NBS, then think again. Both are musical revues filled with plenty of R-rated double entendre lyrics, both shows feature a young, attractive cast, both include a same sex love song (and a serious song or two thrown in for depth), and like Naked Boys Singing, Boys Will Be Boys is a heck of a lot of fun, even with clothes on.
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SOUTH PACIFIC
Tuesday, October 12th, 2010
Rodgers & Hammerstein fanatics may cry sacrilege, but I never quite understood why South Pacific was considered such a classic. Then came the National Tour of the 2009 Tony-winning (Best Revival Of A Musical) Lincoln Center Theatre production, and I became a believer. Not only is South Pacific one of Rodgers & Hammerstein’s finest, it stands as one of the greatest musicals ever to grace a Broadway theater, at least when done right.
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PETER PAN
Wednesday, October 6th, 2010
No matter how many Peter Pans you’ve seen, you’ve never seen a Peter Pan nearly as thrilling as threesixty’s Peter Pan. Its producers tout the production’s “500 tons of tent and equipment, 100 cast and crew, and 400 square miles of computer generated imagery on a screen the size of 3 IMAX theaters.” Previous reviewers have called it “spectacular,” “thrilling,” “breathtaking,” “joyous,” “mesmerizing,” and “magical.” It’s all of this, and laugh-out-loud funny to boot.
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IN THE NEXT ROOM (or the vibrator play)
Sunday, October 3rd, 2010
It’s the late 1800s and Sabrina Daldry is exhibiting symptoms that concern her considerably older husband. Light has been bothering Sabrina lately, and she cries at the drop of her heavily veiled hat. A consultation with a certain Dr. Givings reveals the cause of her ailments: hysteria. (A contemporary doctor would probably diagnose her condition as depression resulting from sexual frustration.) Fortunately, Dr. Givings has just the treatment to cure Sabrina of her ills, a device made possible by the recent arrival of electric current into New York’s wealthier homes. A two or three-minute application of this vibrating apparatus to Sabrina’s private parts, plus a bit of digital stimulation administered by the doctor’s faithful nurse Annie, provides an almost instantaneous improvement in Sabrina’s mental state (along with a number of moans and gasps of pleasure), and she eagerly agrees to return for daily treatments.
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THE GOAT OR, WHO IS SYLVIA?
Saturday, September 25th, 2010
If you are a theatergoer who likes to be intellectually challenged, loves nothing more than laughing out loud unless it’s witnessing absolutely brilliant acting, doesn’t get his or her knickers in a twist by subject matter some would deem inappropriate for the dinner table—and if you know nothing at all about the plot twists in Edward Albee’s The Goat Or, Who Is Sylvia?, then read no further. Simply head on over to the Chance Theater for a production so all-around splendid that it will knock your goat’s wool socks off.
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MISALLIANCE
Sunday, September 19th, 2010
South Coast Repertory opens its 2010-2011 season with a deliciously staged and performed revival of George Bernard Shaw’s 100-year-old comedy Misalliance, a production so all-around splendid that it makes one of Shaw’s earliest plays seem half its age—or even younger.
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YOUNG FRANKENSTEIN
Tuesday, September 14th, 2010
When the very first Broadway musical for which you write book, music, and lyrics wins a record-breaking twelve Tony awards and runs for over 2500 performances, what do you do for an encore?
If you’re Mel Brooks, your follow-up to The Producers is Young Frankenstein, and though the comic master’s sophomore musical ran less than 500 performances, it’s nonetheless a tuneful, laugh-filled treat for Brooks fans and horror buffs alike.
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